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"You don't have to be kiddish, but it helps." A sonnet is penned and, lo, The Conspiracy Kid Fan Club is born. Read this sonnet and membership of the Fan Club is automatic and irreversible. In three parts - Fan Club, Hamburger and String - it is a literary soap, which chronicles the lives, loves, tragedies and triumphs of the earliest Conspiracy Kid Fan Club members: Edwin Mars (poet), Joe Claude (billionaire), Walter Cornelius (werewolf), Ewan Hoozarmi (artist), Muriel Cohen (chef) and a further motley assortment of various precarious humans. Another cheerfully ramshackle tale from the author of Beyond the Valley of Sex and Shopping.

The study of strategic surprise has long concentrated on important failures that resulted in catastrophes such as Pearl Harbor and the September 11th attacks, and the majority of previously published research in the field determines that such large-scale military failures often stem from defective information-processing systems. Intelligence Success and Failure challenges this common assertion that catastrophic surprise attacks are the unmistakable products of warning failure alone. Further, Uri Bar-Joseph and Rose McDermott approach this topic uniquely by highlighting the successful cases of strategic surprise, as well as the failures, from a psychological perspective. This book delineates the critical role of individual psychopathologies in precipitating failure by investigating important historical cases. Bar-Joseph and McDermott use six particular military attacks as examples for their analysis, including: "Barbarossa," the June 1941 German invasion of the USSR (failure); the fall-winter 1941 battle for Moscow (success); the Arab attack on Israel on Yom Kippur 1973 (failure); and the second Egyptian offensive in the war six days later (success). From these specific cases and others, they analyze the psychological mechanisms through which leaders assess their own fatal mistakes and use the intelligence available to them. Their research examines the factors that contribute to failure and success in responding to strategic surprise and identify the learning process that central decision makers use to facilitate subsequent successes. Intelligence Success and Failure presents a new theory in the study of strategic surprise that claims the key explanation for warning failure is not unintentional action, but rather, motivated biases in key intelligence and central leaders that null any sense of doubt prior to surprise attacks.

Neuroscience is one of the scientific fields where progress in the 20th century has been spectacular. With the coming of the new millennium, it is appropriate to look at some of the advances and the neurologists who helped to produce them. The original contributions in this volume reflect the background against which the rapid advances have taken place in the past 100 years.

This book critically examines how Walt Disney Animation Studios has depicted – and sometimes failed to depict – different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the ‘collapse of compassion’ effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney’s best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.

The time has come, Lillian Smith wrote in 1962, for women to risk the "great and daring creative act" of discovering and articulating their own identity. Three years later, Southern women of a younger generation, fortified by the skills and self-respect earned in the black civil-rights movement, issued the first manifesto of a new feminism. Their words landed with explosive force, setting off cultural reverberations which have shaken the lives of men and women alike. A little more than a decade after that, this issue of Southern Exposure began to take form. Its creation has taken us back into history and deep into the meaning of our own lives. As we set out to understand the situation of Southern women, we found ourselves "in search of our mothers' gardens." We found ourselves naming an experience we share across the generations. "So many of the stories that I write," Alice Walker discovered, "are my mother's stories." To speak in our own voices, we had first to give expression to a "promise song" that has been there all along.