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Darwin Foster has become a werewolf through unknown means, and with each passing day his bloodlust is growing. The young man, damaged through years of abuse and neglect, is ready to exact his revenge on his home town of New Haven. As his lycanthropic desire consumes him, Darwin begins his slaughter. Through his own carelessness he finds himself under investigation by the local police and he knows they will soon arrest him. In one rash decision, to prevent his incarceration, Darwin begins making more werewolves, starting with the police investigators. Before long Darwin finds himself in the leadership role of an ever expanding pack of hungry werewolves. Feeling superior, Darwin, with the help of his council of wolves, makes a plan to take over the entire town, eliminating anyone seen as unworthy of receiving the gift of lycanthropy. A list of citizens is drawn up and soon the undesirable humans of New Haven find themselves being rounded up and sent to a make shift detention center in the abandoned coal mine called Special Handling. Here they wait for their invitation to dinner. Evolution of the Species has begun! Which side will you be selected for? Look for the exciting sequel to Darwinism with Wolf Asylum to be released in 2014!

In the last decade or so, scientists have started to examine a new approach to the patterns of evolution and extinction in the fossil record. This approach may be called "statistical paleontology," since it looks at large-scale patterns in the record and attempts to understand and model their average statistical features, rather than their detailed structure. This book, developed after a meeting at the Santa Fe Institute on extinction modeling, comments critically on the various modeling approaches.

Enriched by the methods and insights of social history, the history of mentalites, linguistics, anthropology, literary theory, and art history, intellectual and cultural history are experiencing a renewed vitality. The far-ranging essays in this volume, by an internationally distinguished group of scholars, represent a generous sampling of these new studies."

The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's The Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.

Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.

Did you ever wonder what it would have been like to be a white kid growing up in East L.A. in the '50s and '60s? The smoggy air, gangs, lowered cars full of mean vatos - dangerous, depressive, and scary. Hey, IT WAS GREAT!!My name is Tommy Jacobs, and I was a white kid, born and raised in East L.A. This story, in the genre of historical fiction, will show you my 'East Los'. It was a place full of fun, adventure, and many good people. Ready for a change after high school, I turned my world upside down and went to college up north in redwood country, where a full-blooded Hoopa Indian gave me an eye-opening introduction to his world. Then, to avoid the draft, I became a Peace Corps Volunteer, and got snarled up in the war in El Salvador.