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The emergence in Russia of the antisemitic chauvinist movement, Pamyat, has startled Western society even as it has stirred deep fears and anxiety among Jews and democratic forces within Russia. How could a supposedly Communist society, whose founder, V. I. Lenin, had railed against racism and bigotry, give birth to a proto-fascist ideology and organization? This study seeks to respond to this understandable, if provocative, query.

This booklet traces the development of the 1973 Conference on Security and Cooperation in Europe (CSCE) in Helsinki. The conference came to symbolize detente in Europe and was comprised of 33 countries in Europe, as well as the United States and Canada. It was hoped the new structure to emerge would promote a greater sense of security by mitigating cold-war tensions and reduce, or remove, all barriers between the East and West. The book offers an assessment of foreign policy in the intervening decade since the conference. Chapters include: (1) "From Yalta to Helsinki"; (2) "The Meaning of Helsinki"; (3) "The Changing Posture of the United States"; (4) "Confrontation at Belgrade"; (5) "Madrid: Security vs. Human Rights"; and (6) "The Value of the Helsinki Process." Monographs in FPA's Headline Series are published approximately four times a year and are intended as a resource for teachers and students in the foreign policy area. Each monograph: is about a world area or topic; is written by a noted scholar; is brief (usually 64 pages); is written to be highly readable; includes basic background, maps, charts, discussion guides, and suggested reading. (EH)

William Carlos Williams's place among the great poets of our century is firmly established. This anthology of selections drawn from the whole range of his work--poetry, fiction, autobiography, drama and essays--shows conclusively that his prose was also remarkably original, versatile and powerful. It has been edited by M. L. Rosenthal, literary critic and Professor of English at New York University.

From 1902 to 1912, William Carlos Williams wrote more than 300 letters to his younger brother Edgar, an architect with whom he shared the desire to become 'a great artist'. This collection of 200 letters sheds light on the aesthetic thoughts and practices with which Williams was engaged before his unique voice emerged in 'The Wanderer'.