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10 3/4 X 12 In, 320 Pp, 156 Color Plates 63 Black & White Photographs With Magnificence and Vivid Imagery, This Stunning Revision of Utah Art Traces Utah's Artist and Their Creations From The First European Settlements In 1847 Through The Current Generation. In The 1800's Talented Young Men and Women Were Sent East and To Paris By The Lds Chruch To Study and Bring The Ideas of The Mainstream Art World Back To Utah. The Results Were Fascinating. Today Utah's Visual Artists Magnify This Tradition.

The Utah War of 1857–58, the unprecedented armed confrontation between Mormon Utah Territory and the U.S. government, was the most extensive American military action between the Mexican and Civil wars. At Sword’s Point presents in two volumes the first in-depth narrative and documentary history of that extraordinary conflict. William P. MacKinnon offers a lively narrative linking firsthand accounts—most previously unknown—from soldiers and civilians on both sides. This first volume traces the war’s causes and preliminary events, including President Buchanan’s decision to replace Brigham Young as governor of Utah and restore federal authority through a large army expedition. Also examined are Young’s defensive-aggressive reactions, the onset of armed hostilities, and Thomas L. Kane’s departure at the end of 1857 for his now-famous mediating mission to Utah. MacKinnon provides a balanced, comprehensive account, based on a half century of research and a wealth of carefully selected new material. Women’s voices from both sides enrich this colorful story. At Sword’s Point presents the Utah War as a sprawling confrontation with regional and international as well as territorial impact. As a nonpartisan definitive work, it eclipses previous studies of this remarkably bloody turning point in western, military, and Mormon history.

Descriptors: bibliography, books.