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Una L. Silberrad's 'The Good Comrade' is a work that illuminates the complexities of interpersonal relationships and moral dilemmas. As a novel that stands at the crossroads of Victorian values and the burgeoning sensibilities of the 20th century, it deftly explores themes of loyalty, class, and the search for individual fulfillment. The literary style of Silberrad is discerningly elegant, characterized by a keen introspective flair, ensuring that the prose weaves a narrative that is both compelling and evocative. Within the context of its era, the book is a noteworthy contribution to the transition in English literature from the rigid mores of the 19th century to the more nuanced and psychologically intricate canvases of the early modern period. Silberrad's own provenance as an author is grounded in her ability to engage with the social narratives of her time, providing a lens through which the reader can discern the influences that may have inspired 'The Good Comrade'. Her works often delineate the subtleties of English society with a particular focus on its middle class and its understated struggles. This authorial interest likely stems from her acute observation of the societal dynamics around her, proffering a vivid tableau of the age within her literary pursuits. The astute scholar and discerning reader will find 'The Good Comrade' to be a rewarding read, providing not only a window into a pivotal historical epoch but also a reflection on timeless human struggles. The narrative's intricate tapestry, etched with the fine brushstrokes of Silberrad's literary talent, makes it particularly suited for those who appreciate detailed character development and thematic depth. It is a classic that deserves its place in the canon of world literature, promising an enriching experience to those who approach it with the passion and attention that DigiCat Publishing urges and that its literary merit commands.

Una L. Silberrad's 'The Good Comrade' is a work that illuminates the complexities of interpersonal relationships and moral dilemmas. As a novel that stands at the crossroads of Victorian values and the burgeoning sensibilities of the 20th century, it deftly explores themes of loyalty, class, and the search for individual fulfillment. The literary style of Silberrad is discerningly elegant, characterized by a keen introspective flair, ensuring that the prose weaves a narrative that is both compelling and evocative. Within the context of its era, the book is a noteworthy contribution to the transition in English literature from the rigid mores of the 19th century to the more nuanced and psychologically intricate canvases of the early modern period. Silberrad's own provenance as an author is grounded in her ability to engage with the social narratives of her time, providing a lens through which the reader can discern the influences that may have inspired 'The Good Comrade'. Her works often delineate the subtleties of English society with a particular focus on its middle class and its understated struggles. This authorial interest likely stems from her acute observation of the societal dynamics around her, proffering a vivid tableau of the age within her literary pursuits. The astute scholar and discerning reader will find 'The Good Comrade' to be a rewarding read, providing not only a window into a pivotal historical epoch but also a reflection on timeless human struggles. The narrative's intricate tapestry, etched with the fine brushstrokes of Silberrad's literary talent, makes it particularly suited for those who appreciate detailed character development and thematic depth. It is a classic that deserves its place in the canon of world literature, promising an enriching experience to those who approach it with the passion and attention that DigiCat Publishing urges and that its literary merit commands.

A novel from the author of "Anne Scarlett," etc.

Desire is the story of an Edwardian New Woman who finds fulfilment in work and love after rejecting high society. First published in 1908, Una L Silberrad's novel of professional integrity and feminist aspirations for the right to work was praised by contemporary reviewers because 'it satisfies the intelligence at the same time as it appeals to the emotions'. Desire Quebell is the illegitimate daughter and only child of a wealthy financier. He brings her up in luxury, and she enjoys the pleasures of society, yet she is not a conventional Edwardian daughter. She rebels intellectually, and chooses not to marry a successful man where there is no love or honour. She admires the work of provincial novelist Peter Grimstone, and uses him to engineer the break-up of her engagement. But her father has neglected to make provision for Desire in his will, so when he dies unexpectedly, she has to leave her home without a penny of her own. She moves to a boarding house and studies secretarial work, intending to find a job before the last of her jewel money runs out. But her class bars her from employment, and she can't make new friends with being misunderstood. Just as she faces destitution, Peter tracks her down with the offer of a job. Will Desire consider leaving London to be a book-keeper in a small Staffordshire town, away from everyone she has ever known? But her new life at Grimstone's is not a haven. Peter's father is an angry, bitter man, his mother is nervous and unhappy, and his brother Alexander is an unscrupulous plotter who wants Peter out of the way. Desire must face sexual aggression as well as social suspicion before she, and Peter, find the way to happiness, in work and life.