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A biography, with photographs and quotes from Bell himself, which follows this well known inventor from his childhood in Scotland through his life-long efforts to come up with ideas that would improve people's lives.

A history of Cuba as reflected by the dynasty of the famous Barcardi rum family traces five generations during which they served as an example of business and civic leadership while alternately fighting for national freedom and honoring their country as exiles. 30,000 first printing.

Taking inspiration from a police informer’s comment that his workmates had gone “Spain mad” in response to the Spanish Civil War, this book uses biographical studies to explore the nature of British engagement with the conflict. The opening chapter presents a general analysis of the subject and assesses the available evidence. Some 2400 Britons volunteered to fight in the conflict and some 500 died there. Accordingly, the International Brigades are well represented in the book, with chapters on two of the commanders of the British Battalion (Wilfred Macartney and Fred Copeman) and the Anglo-Canadian volunteer Frank Whitfield. Two of the other subjects (George Orwell and Felicia Browne) fought in other units. However, the book shows that engagement in the Civil War could take many forms: hence, the chapters on the journalist Philip Jordan, clergyman E. O. Iredell, and the humanitarian activist and politician G.T. Garratt. The remaining chapters look at three historians and writers who have shaped the understanding of the Civil War in Britain: Orwell, Hugh Thomas and Jim Fyrth. The book is based on extensive new research, and many of these subjects have never previously been studied in any depth.

Discover the mathematical riches of 'what is diversity?' in a book that adds mathematical rigour to a vital ecological debate.

Waiting for the Cemetery Vote begins with an overview chapter of Arkansas election fraud since the nineteenth century and then moves on to more specific examples of fraudulent activities over a dozen or so years that coincide with the onset of the modern progressive era in Arkansas. Author Tom Glaze, who was a trial lawyer battling election fraud during this time, is the ideal chronicler for this topic, bringing a memoirist's intimate insight together with a wealth of historical knowledge. Glaze describes the manipulation of absentee ballots and poll-tax receipts; votes cast by the dead, children, and animals; forgeries of ballots from nursing homes; and threats to body or livelihood made to anyone who would dare question these activities or monitor elections. Deceptive practices used to control election results were disturbingly brazen in the gubernatorial elections in the 1960s and were especially egregious in Conway and Searcy Counties in the 1970s and in special elections for the state senate in Faulkner, Conway, and Van Buren Counties. A clean-election movement began in the early 1970s, led not by party or political leaders but by individual citizens. These vigilant and courageous Arkansans undertook to do what their public institutions persistently failed to: insure that elections for public office were honest and that the will of the people was scrupulously obliged. Prominent and colorful among these groups was a small band of women in Conway County who dubbed themselves the "Snoop Sisters" and took on the long-established corrupt machine of Sheriff Marlin Hawkins. Written with longtime Arkansas political writer Ernie Dumas and illustrated with cartoons from the inimitable George Fisher, Waiting for the Cemetery Vote will be an entertaining and informative read for any Arkansas history and politics buffs.

Precision conservation is a reality, and we are moving towards improved effectiveness of conservation practices by accounting for temporal and spatial variability within and off field. This is the first book to cover the application of the principles of precision conservation to target conservation practices across fields and watersheds. It has clearly been established that the 21st century will present enormous challenges, from increased yield demands to climate change. Without improved conservation practices it will not be possible to ensure food security and conservation effectiveness. Readers will appreciate the application of the precision conservation concept to increase conservation effectiveness in a variety of contexts, with a focus on recent advances in technology, methods, and improved results. IN PRESS! This book is being published according to the “Just Published” model, with more chapters to be published online as they are completed.

This monograph presents the proceedings of the 2002 Spring Symposium sponsored by the Lake Champlain Research Consortium, hosted by the Missisquoi Bay Watershed Corporation. The book examines this common body of water shared by Canada and the US, and summarizes knowledge of the dynamics of this system with a primary focus on land use, water management, and bridging the gap between researchers and the public.

George Lewis, one of the great traditional jazz clarinetists, was born in 1900 at about the same time that jazz itself first appeared in New Orleans. And by the time he died, on the last day of 1968, New Orleans jazz had pretty much run its course, too. By then a jazz museum stood on Bourbon Street, and a cultural center was under construction where Globe Hall had Stood. Lewis's life thus paralleled that of New Orleans jazz, and in his later years hew as the best known standard bearer of his city's music. He came to the attention of the jazz world at the time of the so-called "New Orleans Revival" of the 1940's, when veteran trumpeter Bunk Johnson was recorded by a number of jazz enthusiasts, notably William Russell. In this new biography, Tom Bethell challenges a favorite myth of the history of jazz: that the music became moribund in New Orleans after the legal red light district, Storyville, was closed in 1917, resulting in most jazz musicians going "up the river." In fact, Bethell shows, many more jazzmen stayed in the city than left, and the musical style continued to develop and grow. Thus the jazz fans who arrived in the city in the early 1940's did not encounter a "revival" of an old style so much as an ongoing tradition, with clarinetists like Lewis having been influenced by Benny Goodman and the Swing Era in addition to Lorenzo Tio and the Creole School. After Bunk Johnson's death in 1949, at a time when many other social changes were beginning to be felt in the city, the New Orleans jazz tradition began to go into a decline. It became increasingly rigid and repetitive, and was often designed to please what one observer called "Dixieland fans yelling for their favorite members." The book is based on lengthy research in New Orleans, including interviews with George Lewis shortly before his death, and unpublished material from the diaries kept by William Russell on his visits to New Orleans between 1942 and 1949. It also includes a statement by Lewis on jazz and the best way to play it and a complete Lewis discography. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

This is the first book to study how Haitian authors – from independence in 1804 to the modern Haitian diaspora – have adapted Greco-Roman material and harnessed it to Haiti’s legacy as the world’s first anti-colonial nation-state. In nine chronologically organized chapters built around individual Haitian authors, Hawkins takes readers on a journey through one strand of Haitian literary history that draws on material from ancient Greece and Rome. This cross-disciplinary exploration is composed in a way that invites all readers to discover a rich and exciting cultural exchange that foregrounds the variety of ways that Haitian authors have ‘hacked classical forms’ as part of their creative process. Students of ancient Mediterranean cultures will learn about a branch of the Greco-Roman legacy that has never been deeply explored. Experts in Caribbean culture will find a robust register of Haitian literature that will enrich familiar texts. And those interested in anti-colonial movements will encounter a host of examples of artists creatively engaging with literary monuments from the past in ways that always keep the Haitian experience in central focus. Written in a broadly accessible style, Hacking Classical Forms in Haitian Literature appeals to anyone interested in Haiti, Haitian literature and history, anti-colonial literature, or classical reception studies.