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An analysis of GHG Intensity targets, underlying indicators, rationales, real-world applications, and implementation issues. Greenhouse gas intensity targets are policies that specify emissions reductions relative to productivity or economic output, for instance, tons CO2/million dollars GDP. By contrast, absolute emissions targets specify reductions measured in metric tons, relative only to a historical baseline. This report looks specifically at intensity targets and explores their underlying indicators, rationales, real-world applications, and implementation issues. It finds that although intensity targets are often dismissed as being environmentally lax or deceptive, they nonetheless could be useful policy instruments, when properly used, for furthering significant and real commitments to reducing greenhouse gases.

This document provides data on greenhouse gas and international climate policy. It examines them at the global, national, sectoral, and fuel levels and identifies implications of the data for international cooperation on global climate change.

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agnes Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

Corrigan argues that in the past 25 years the increased conglomerization of film production/distribution companies and the rise of VCR, satellite, and cable television technologies have altered the way films are made and how we view them. The result is a growing internationalization of national cinema cultures and an increasing fragmentation of the audience. Video has reduced the movie to private and domestic performance. At the same time, audiences are bombarded with a surfeit of images that leaves them with a battered sense of their place in history and culture. Corrigan notes that, combined with what many critics have recognized as the growing incoherence in film texts, these facts make it more meaningful to discuss films not as texts but as multiple cultural and commercial processes constructed by increasingly specialized audiences. ISBN 0-8135-1667-6: $36.00.

A critique of prominent architects’ approach to digitally driven design and labor practices over the past two decades With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry’s Guggenheim Bilbao and the “Bilbao effect,” in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the “rent of form.” Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this “architecture of exception” has come to dominate today’s industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry. Significantly, Arantes’s viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.

Long celebrated as a great aesthetic idealist and champion of the imagination, Coleridge is now beginning to be understood as a literary critic with many other dimensions, with exciting and far-reaching insights into language, and with detailed notions about the psychological, historical, and linguistic demands of the literary experience. In this study, Timothy Corrigan sees Coleridge's criticism as "the product of an actively self-conscious reader, of a precise user of language, and, most of all, of a historical man involved with the demands of his day." Specifically he studies the relationship between the language of Coleridge's criticism and his interests in politics, psychology, science, and theology. Corrigan concludes that Coleridge's work is not a closed and strictly defined system but an extraordinarily diverse one that responds sympathetically to new angles of research. His study is first and foremost an investigation of Coleridge's criticism based on Coleridge's own ideas about language and reading. While taking its particular direction from a variety of contemporary literary theories, the book is most concerned with how Coleridge's critical prose and theoretical positions anticipate these in an exceptionally complex way.

A hostage-taker hides a shocking secret in “a breakneck literary thriller that combines the worlds of conspiracy theory [and] reality TV.”—National Post Without warning, a man, armed with explosives, seizes a television studio taking over a hundred terrified hostages. He offers no motive. And he makes just a single curious demand. The only person he’ll speak to is Thom Pegg, a once honored investigative journalist turned disgraced tabloid reporter. As surprised as anyone, and pressured to comply by authorities, Pegg reluctantly enters the fray as the chosen confidante. From outside, the enthralling drama is revealed through the eyes of two very different people: Eve, an Olympic gold medalist and local hero; and a mysterious renegade street artist known only as Rabbit. As 24/7 media coverage helps to feed the public’s paranoia with reckless rumor, the lives of three strangers are brought inexorably together in an unfathomable and chaotic endgame. In this “unforgettable . . . exhilarating, at-times alarming read” (Atssa York), prize-winning author Timothy Taylor paints a powerful picture of the sinister side of our interconnected world. The result is “an ambitious . . . wonderful novel—a thought-provoking and challenging story that will . . . change the way you look at our celebrity-driven culture” (The Vancouver Sun).

Recent and current crises in health, ecology, society and spirituality have lent the whole arena of liminality a new urgency and relevancy. Those who traverse the great transitions are rediscovering new ways of interpreting life through the liminal lens, a way to make sense of the great voluntary and unchosen transitions that characterize modern life. This anthology provides a unique overview of liminality as it gathers a diverse coterie of authors, disciplines, and contexts to explore its many facets. Distinct in its interdisciplinary approach, The Liminal Loop serves as an important source book for general readers, teachers, students, artists, counselors, spiritual guides, and social transformers. From liminal poetry and musical traditions to the strange vertical world of the rock climber, The Liminal Loop explores the swirling chaos on the other side of critical thresholds and suggests a pathway through the daunting middle passages of the in-between. With what can only be described as courage, the many authors of this collection dare to look uncertainty in the eye, knowing that this is a necessary journey, and that it is better to travel with a common band of pilgrims than to go it alone.

★“[T]his is a scholarly, commendable biography and intellectual history. Lay readers will be challenged; psychologists and historians will be grateful.”—Library Journal, starred review First published in 1946, Viktor Frankl’s memoir Man’s Search for Meaning remains one of the most influential books of the last century, selling over ten million copies worldwide and having been embraced by successive generations of readers captivated by its author’s philosophical journey in the wake of the Holocaust. This long-overdue reappraisal examines Frankl’s life and intellectual evolution anew, from his early immersion in Freudian and Adlerian theory to his development of the “third Viennese school” amid the National Socialist domination of professional psychotherapy. It teases out the fascinating contradictions and ambiguities surrounding his years in Nazi Europe, including the experimental medical procedures he oversaw in occupied Austria and a stopover at the Auschwitz concentration camp far briefer than has commonly been assumed. Throughout, author Timothy Pytell gives a penetrating but fair-minded account of a man whose paradoxical embodiment of asceticism, celebrity, tradition, and self-reinvention drew together the complex strands of twentieth-century intellectual life. From the introduction: At the same time, Frankl’s testimony, second only to the Diary of Anne Frankin popularity, has raised the ire of experts on the Holocaust. For example, in the 1990s the United States Holocaust Memorial Museum in Washington purportedly refused to sell Man’s Search for Meaningin the gift shop.... During the late 1960s and early 1970s Frankl became very popular in America. Frankl’s survival of the Holocaust, his reassurance that life is meaningful, and his personal conviction that God exists served to make him a forerunner of the self-help genre.