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Published to accompany the opening of a major new expansion to Tate Modern in summer 2016, this handbook offers a fascinating look at the gallery's acclaimed and growing collection of international modern and contemporary art. An essay by Frances Morris summarises the history of the collection offering a unique insight into the considerations involved in building and shaping a national collection. Matthew Gale describes some of the changing themes in the gallery displays. The A-Z section of artists includes, not only many of the most popular works in the collection, such as Matisse's 'The snail' or Dalí's 'Lobster telephone', but also features recent acquisitions from across the world. More than simply a guide to one of the most important museums in its field, the book is also an invaluable tool to the understanding of modern art and artists.

Introducing readers to the architecture of the art gallery Tate Modern, this book examines the part Tate Modern plays in British and global cultural life. It includes entries on over 120 artists and explanations of key terms in art and museology, and provides an introduction to the business of displaying contemporary art.

Explores the relationship between the metropolis and the creation of art, focusing on the art centers of Paris, New York, Vienna, Moscow, London, Bombay, Lagos, and Tokyo, and profiling the artists who were inspired by those locales.

Published on the occasion of an exhibition held at Tate Modern, London, Oct. 6, 2011-Jan. 8, 2012, Neue Nationalgalerie, Berlin, Feb. 12-May 13, 2012, and Centre Pompidou, Musee national d'art moderne, Paris, June 6-Sept. 24, 2012.

"This new Tate Gallery Companion, a beautifully produced record of the collections of one of the world's great art museums, is illustrated with more than 300 full-colour reproductions accompanied by a comprehensive commentary. Each of the thirty-four sections is introduced by a brief illustrated essay followed by individual discussion of up to five major works reproduced in large format. Written by Simon Wilson, Head of the Tate Gallery Education Department, the lively and approachable text covers five centuries of British and foreign art. It treats the present as continuous with the past, giving equal attention to the work of the historic old masters, to that of the established masters of the modern era and to the more controversial achievements of the most recent generation of artists."--Publisher's description.