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This book is one of the first to take an in-depth look at how an advertising image works. It situates the Nike swoosh logo in terms of political economy, sociology, culture and semiotics. Nike Culture describes and deconstructs the themes and structures of Nike′s advertising, outlines the contradictions between image and practice, and explores the logic of the sign economy. In addition, by focusing on issues revolving around representations of race, class and gender, the desire for both community and recognition, and the construction of sport as a spiritual enterprise, the book offers insights into the cultural contradictions embedded in sports culture.

Television has become so saturated with commercials that it is difficult at times to tell the different images apart, much less remember or care about them. But, on closer look, television commercials can tell us a great deal about the interplay of market forces, contemporary culture, and corporate politics. This book views contemporary ad culture as an ever-accelerating war of meaning. The authors show how corporate symbols or signs vie for attention-span and market share by appropriating and quickly abandoning diverse elements of culture to differentiate products that may be in themselves virtually indistinguishable. The resulting "sign wars" are both a cause and a consequence of a media culture that is cynical and jaded, but striving for authenticity. Including more than 100 illustrations and numerous examples from recent campaigns, this book provides a critical review of the culture of advertising. It exposes the contradictions that stem from turning culture into a commodity, and illuminates the impact of television commercials on the way we see and understand the world around us.

"Goldman and Papson do for Marxist cultural studies what Einstein did for physics: they rethink the space/time of capital. In particular, they read our global capitalism visually and discursively by examining the way capital entices us into debt and domination via advertising. Although a traditional book, this is also a map into the interior space/time of global structures that appear to us as flickering images interrupting our televisual downtime. They demonstrate that there is no downtime, no uncolonized space."---Ben Agger, University of Texas at Arlington --

In this, the first-ever photographic history of Peabody, authors Stephen J. Schier and Kenneth C. Turino document vividly the long and illustrious history of the nineteenth-century's "Leather City." Once the largest producer of leather in the world, Peabody is a proud city with a rich photographic legacy. Over two hundred vintage images of Peabody's past appear in this volume, representing the period from the 1870s through the 1960s. The people, places, and institutions of Peabody are illustrated in photographs gathered from both public and private sources, including the vast and outstanding holdings of the Peabody Historical Society.

Does the Apostle Paul have any use for the person of Jesus presented in the Gospels? Critical scholarship thinks not, but this book argues that Paul not only mentions more than seventy specific details of the historical Jesus, but he also commends the character of Jesus and echoes His teachings repeatedly in his letters and sermons-in full agreement with the Gospel accounts. Stout examines Paul's intriguing description of the "Man Christ Jesus" (1 Tim 2:5) and suggests that this title fulfills the OT expectation of God appearing in human history as a man. In his incarnated humanity, the Man Christ Jesus accomplished salvation in the historical events of his life and death, and in his resurrected humanity, he appeared to Paul on the Damascus Road-rooting Paul's Christology deeply in human experience. Furthermore, Stout shows how Paul rests his concept of salvation on a neglected aspect of his doctrine-that the entire church is associated with the historical events of the life, death and resurrection of Jesus, an association which also unites his church with one another in fellowship and service. This book, then, demonstrates that Paul's gospel rests upon Jesus as a man of history who brings salvation into human history in his life, death, and exaltation as the "Man Christ Jesus."

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