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Jacobia “Jake” Tiptree left her high-powered career for a dilapidated fixer-upper and the dream of a quiet existence in the quaint town of Eastport, Maine. But she found that no matter how carefully you remodel your life, murder can take up residence anywhere. It’s Eastport’s most notorious landmark: the old Harlequin House. Named for the disgraced physician Chester Harlequin, it was used as a hideout for gunshot gangsters and their molls during Prohibition’s heyday. Now fixer-upper enthusiast Jake Tiptree and Harlequin’s only living descendant, Ellie White, are refurbishing the mansard-roofed mansion to host the local Historical Society’s upcoming gala. But when stripping down old wallpaper reveals a secret door to a room containing not one but two corpses, Jake and Ellie once again find home repair leading to homicide. One of the bodies is a skeleton dressed in 1920s flapper chic. But the other is that of real-estate mogul Hector Gosling, and in his pocket is a paper bearing the single word “Guilty.” The less-than-scrupulous tycoon has been poisoned, and when it’s learned that the offending substance is the poison that Ellie’s husband George has been using to kill red ants, he is immediately taken into custody. Then it develops that George had recently accused Gosling of a scheme to scam George’s vulnerable old aunt out of her life savings—and George out of his inheritance. With George held for murder, Jake and a pregnant Ellie swing into action. In between Ellie’s Lamaze sessions, baby showers, and CPR classes taught by Jake’s ex-husband Victor, the two amateur sleuths must sift their way through a trail of seemingly contradictory clues. Then another corpse surfaces and suddenly Jake and Ellie realize they must find this killer fast. A clever culprit is not only building an airtight case against Ellie’s husband. He—or she—is planning to nail everyone who stands in the way.

American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.

The first Bradecote & Catchpoll medieaval mystery June, 1143. The much-feared and hated Eudo - the Lord Bishop of Winchester's clerk - is bludgeoned to death in Pershore Abbey and laid before the altar like a penitent. A despicable man he may have been, but who had reason to kill him? As the walls of the Abbey close in on the suspects, Serjeant Catchpoll and his new, unwanted superior, Undersheriff Hugh Bradecote must find the answer before the killer strikes again ... PREVIOUSLY PUBLISHED AS THE LORD BISHOP'S CLERK

Reprint of the original, first published in 1856.

Set against the seductive world of 1960s Rio de Janeiro, an exquisite debut novel about family secrets, divided loyalties, and what we're willing to do to save ourselves. This mesmerizing first novel follows a glamorous family as they prepare to leave the seeming paradise of Brazil for Canada in the wake to the mysterious disappearance -- and presumed drowning -- of their eldest daughter a year earlier. As the novel moves back and forth between the members of the Maurer family, we are taken into the heart of a family whose beauty and charm belie a more troubling reality. We meet the family's brilliant and charismatic father, whose bipolar extremes are becoming increasingly disturbing; his long-suffering wife, who once had a brief affair that proves to have shattering consequences for the family she swore to protect; their two remaining daughters, both on the brink of understanding the darker currents that run in their once-proud family; and the lost daughter herself, a beautiful young woman undone by her own grand delusions. Taking readers from the golden beaches of Rio to the poverty of its fishing villages, from the glamour of the legendary Copacabana Club to the austerity of a remote convent, this revelatory novel takes us into the soul of a family already living in the shadow of loss and now poised to leave behind everything they've ever known, if only they could make peace with the past.

Musaicum Books presents to you the world's iconic women characters in fiction and the real-life heroines in this power-packed meticulously edited and formatted collection: Fiction: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Davis) Little Women (Louisa May Alcott) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) Wives and Daughter (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) The Story of a Baby (Ethel Sybil Turner) New Amazonia (Elizabeth Corbett) A Daughter of the Land (Gene Stratton-Porter) The Iron Woman (Margaret Deland) My Ántonia (Willa Cather) The Song of the Lark (Willa Cather) The House of Mirth (Edith Wharton) Sister Carrie (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) Voyage Out (Virginia Woolf) Parnassus on Wheels (Christopher Morley) The Job (Sinclair Lewis) Miss Lulu Bett (Zona Gale) The Rainbow (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Fanny Herself (Edna Ferber) So Big (Edna Ferber)... Memoirs: Madame Vigée Lebrun Jane Austen Caroline Herschel Mrs. Seacole Elizabeth Cady Stanton My Own Story (Emmeline Pankhurst) Mother Jones Margaret Sanger Helen Keller Biographies: Lucretia Sappho Aspasia of Cyrus Portia Octavia Cleopatra Mariamne Julia Domna Zenobia Valeria Hypatia The Lady Rowena Roswitha the Nun Marie de France Laura de Sade Joan of Arc Catharine of Arragon Anne Boleyn Margaret Roper Mary, Queen of Scots The Pocahontas Queen Anne Maria Theresa Marie Antoinette Florence Nightingale Maria Mitchell Harriet Tubman Madame de Stael…

I was born on a sheep ranch in California, the San Justo, near San Juan Bautista, an old mission town of the Spanish padres, which stands in the lovely San Benito Valley, over the hills from Monterey and about a hundred miles south of San Francisco. The gold days were gone and the time of fruit and small farms had not yet come. On the rolling hills the sheep went softly, and in vacant valleys cropped the lush verdure of the springtime, or, in summer, sought a scanty sustenance in the sun-dried grasses. Intrepid men had pushed the railroad through the forbidding barrier of the Sierras, giving for the first time easy access to California, and thus making inevitable a changed manner of life and conditions. I am a child of California, a grand-child of Maine, and a great-grand-child of Massachusetts. Fashions in ancestry change. When I chose mine straight American was still very correct; so I might as well admit at once that I am of American colonial stock, Massachusetts variety. Up in the branches of my ancestral tree I find a normal number of farmers, sea-captains, small manufacturers, squires, justices of the peace, and other town officers, members of the general court, privates in the militia, majors, colonels, one ghost, one governor, and seven passengers on that early emigrant ship, the Mayflower; but a great shortage of ministers, there being only one. How I happened to be born so far away from the home of my ancestors, the type of life lived here on the frontier by a transplanted New England family, and the conditions that prevailed in California in the period between the mining rush and the tourist rush, is the story I shall tell. The usual things had happened down the years on the east coast,—births, marryings, many children, death; new generations, scatterings, the settling and the populating a new land. Mother’s people stayed close to their original Plymouth corner, but father’s had frequently moved on to new frontiers. They went into Maine about the time of the Revolution, when it was still a wilderness, and then, by the middle of the next century, they were all through the opening west. My father was Llewellyn Bixby of Norridgewock, Maine, and my mother was Mary Hathaway, youngest daughter of Reverend George Whitefield Hathaway, my one exception to the non-ministerial rule of the family. And he was this by force of his very determined mother, Deborah Winslow, who had made up her mind that her handsome young son should enter the profession at that time the most respected in the community. She was a woman called “set as the everlasting hills,” and so determined was she that Whitefield should not be lured off into ways of business that she would not allow him to be taught arithmetic. Like the usual boy he rebelled at dictation, and when at Brown University became a leader in free-thinking circles, but suddenly was converted and accepted his mother’s dictum. His own choice would have been to follow in the footsteps of his father, Washington Hathaway, a graduate of Brown and a lawyer. His sermons showed his inheritance of a legal mind, and he exhibited always a tolerance and breadth of spirit that were doubtless due to the tempering of his mother’s orthodoxy by his gentle father’s unitarianism. She, dear lady, would not have her likeness made by the new daguerreotype process lest she break the command, “Thou shalt not make unto thee any graven image, nor any likeness of anything—.” Grandfather graduated from Williams College and Andover Seminary and accepted the call to the parish church of Bloomfield (Skowhegan), Maine, which position he held for a generation. Afterward he was several times member of the Maine Legislature and was, during the Civil War, chaplain in the 19th Regiment of Maine Volunteers. When I was still a child he came to California and spent the last years of his life in our home. My father’s family had been in Maine for a longer time, his two great grandfathers, Samuel Bixby and Joseph Weston, going in from Massachusetts about 1770, and settling on the Kennebec River. Joseph Weston took his eleven year old son with him in the spring to find a location and prepare for his family to come in the fall. In September he left his boy and another of fourteen in charge of the cattle and cabin and went home to get his wife and other children. But he was balked in his purpose because of the setting in of an early winter and consequent freezing of the river highway. The boys had to stay alone in the woods caring for the cattle until spring made travel possible. When the family arrived they found the boys and cattle in good shape, the boys evidently being excellent Yankee pioneers. By the middle of the nineteenth century Somerset County was full of Bixbys and Westons. When Rufus Bixby entertained at Thanksgiving dinner on one occasion he had one hundred fifty-six guests, all kinfolk. He was a brother of my grandfather, Amasa Bixby, the two of them having married sisters, Betsey and Fanny Weston. A third sister, Electa Weston, married William Reed Flint and became the mother of the two cousins who were father’s business associates all during his California life.

Musaicum Books presents to you memoirs, biographies and stories about the most incredible women in history, their lives and their legacies: Eighty Years and More by Elizabeth Cady Stanton Helen Keller: The Story of My Life Harriet Tubman, the Moses of Her People Reminiscences by Julia Ward Howe My Own Story by Emmeline Pankhurst The Autobiography of Mother Jones Sweeper in the Sky: The Life of Maria Mitchell Margaret Sanger: An Autobiography The Life of Florence Nightingale The Grimké Sisters Roswitha the Nun Marie de France Mechthild of Magdeburg Countess of Artois Christine de Pisan Agnes Sorel Alcestis Antigone Iphigenia Paula Catherine Douglas Lady Jane Grey Flora Macdonald Madame Roland Grace Darling Sister Dora Florence Nightingale Lucretia Sappho Aspasia of Pericles Xantippe Aspasia of Cyrus Cornelia, the Mother of the Gracchi Portia Octavia Cleopatra Mariamne Julia Domna Zenobia Valeria Eudocia Hypatia The Wife of Maximus The Lady Rowena Olga The Lady Elfrida The Countess of Tripoli Jane, Countess of Mountfort Laura de Sade The Countess of Richmond Elizabeth Woodville Jane Shore Catharine of Arragon Augustina Saragoza Charlotte Brontë… Marie Antoinette Sarah Siddons Mrs Grant Elizabeth Inchbald Elizabeth Hamilton Countess de Vemieiro Joanna Baillie Josephine Anne Radcliffe Miss Edgeworth Charlotte Corday Madame de Stael Madame de la Rochejaquelein Madame Recamier Mary Brunton Felicia Hemans Augustina Saragoza Charlotte Bronte Queen Anne Esther Johnson Esther Vanhomrigh Mary Astell Madame des Ursins Lady Grizel Jerviswoode Madame de Pontchartrain Elizabeth Halkett Lady Mary Wortley Montagu Madame du Deffand Phœbe Bentley Marquise du Chatelet Lady Huntingdon Flora Macdonald Madame Roland Grace Darling Sister Dora Maria Theresa Meta Moller Elizabeth Blackwell Lætitia Barbauld Hannah More Anna Seward Catherine Cockburn Elizabeth Berkeleigh...

Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.

Celebrating the modern Southern culture, country chic lifestyle, and spitfire attitude of the city cowgirl… the cowgirl in heels. Part cookbook, part how-to and inspirational guide for the modern city girl with Southern roots and a cowgirl attitude, Urban Cowgirl features Sarah Penrod’s unique outlook and point of view—as shared with viewers on the Next Food Network Star. Her approach is to take classic Southern and Texas foods and ingredients and traditions like the tailgate and give them a new twist with her personal brand of sparkle and shine. Her recipes for family dinners and girls’- nights- in all come with her own special touch and her outsized personality. Urban cowgirls appreciate Southern big city lifestyle, but don’t let the high heels and designer dresses fool you. These girls will celebrate their heritage, acknowledge their cultural roots, and build from traditional values, with a smile on their face and a glass of sweet tea in their hand. They may have a designer coffee table littered with gourmet cooking magazines , but the recipes they hold most dear are third generation, handwritten, kitchen love letters from a grandmother they may have never even met.