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Poetry. Do any of us really speak the same language? BLISSFUL TIMES is a collection of poetry that tries to find out. Beginning with found text from Samuel Beckett's Happy Days, Sandra Alland `translates' the poem 65 times, morphing it into different poetic forms and emotional states, even different media. Using formal constraints, specialty dictionaries, internet search and translation engines, voice-activated software, the weather, global news and personal experiences, Alland invents pieces ranging from lyric poetry to sound poetry, from theatre to rant, from photography to Boggle. Edgy, passionate, amusing and intelligent, BLISSFUL TIMES is a poetic cocktail for our troubled times. Sandra Alland is a writer and multimedia artist who has published and presented her work in Canada, the United States, Mexico, Bermuda, Spain, Scotland and England. Her first full-length book is titled Proof of a Tongue.

Explores how women in prison manage to mother their children from behind bars.

Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. "Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World

From #1 New York Times bestselling author and “masterful storyteller” (USA TODAY) Sandra Brown—a sexy, sultry, family-based thriller set in a small southern town. When her younger brother, Danny, commits suicide, Sayre Lynch breaks her vow never to return to her Louisiana hometown, and gets drawn back into her tyrannical father’s web. He and her older brother—who control the town’s sole industry, an iron foundry—are as corrupt as ever. Worse, they have hired a shrewd and disarming new lawyer, Beck Merchant…a man with his own agenda. When the police determine that Danny’s suicide was actually a homicide, Sayre must battle her family—and her passionate feelings for Beck—as she confronts a powder keg of old hatreds, past crimes, and a surprising plan of revenge.

How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of "woman," "man," "family," and "society"? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the "future shock" associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called "the blank pages/of the unwritten volume of the new." Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of "femininity" amounting to "female female impersonation." In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or "male male impersonation." Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the "sexual revolution" of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on "The Further Adventures of Snow White" in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop.

Modern Haddon Township emerged from Quaker roots that date back to the 1680s. Originally named Newton Township, the municipality was incorporated as the Township of Haddon in 1865. The township's current boundaries developed with the formation of neighboring towns. During the late 19th and early 20th centuries, the previously agrarian Haddon Township shifted dramatically with the introduction of railroad and highway systems, evolving into a suburban community proud of its excellent schools and its recreational, athletic, and entertainment facilities. Haddon Township journeys through the buildings, businesses, and other landmarks that tell the story of the township's development. It celebrates those who have served the township, chronicles parades and other events, and visits popular gathering places like Crystal Lake, Green Valley, and Newton Creek.

Frank Sinatra despised journalists. So how did a Fleet Street reporter get so under Sinatra's skin, that the world's most famous entertainer invited her to share intimate moments in his private hotel suite into the wee small hours of the morning? STRANGERS IN THE NIGHT: MY SECRET WEEKEND WITH FRANK SINATRA tells the compelling true story of how Sandra White led a remarkable undercover sting on an unsuspecting Sinatra. Her brief was to get as close as possible to the reclusive singer and find out what the real Sinatra was like. She didn't realise just how close she would get. Exactly how she pulled off a world exclusive scoop is a truly fascinating story of twists and turns, lucky breaks and heart-stopping moments. Was she more than just a stranger in the night? Sandra White lifts the lid on her amazing encounter with Ol' Blue Eyes.

Saundra Johnson is a white-skinned black woman who was born in Little Rock, Arkansas, in l943 during the harsh period of Jim Crow. However, she and other white-skinned family members identified as black and embraced its rich heritage during a period of thriving black communities and businesses. Although having light/white skin had some privileges, the first day that Saundra arrived at Central High School in 1959, it became apparent that her color had no immunity when confronting hardcore racism. She describes in White Skin-Black Soul, her life experiences and the emotions and confusions that it illicit when mistaken for white. She also focuses on family and family stories that are lighthearted and humorous, while others are sorrowful and tragic. Saundra concludes her journey with her opinion of what has changed over seventy-five years and what has stayed the same with optimism that White Skin-Black Soul will provide insight and knowledge for the younger and future generations. Although family members may differ in some areas of politics, social issues, and religion, she still aims for a collective consciousness of the importance of fighting on the side of "justice and integrity" for all people and the power of being a "free and critical thinker," living in a democratic society.