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In the first volume of Through Loving Words, the poems within describe the joy that can be found in the blossoming of new love. Each poet describes falling in love in unique and descriptive ways - from meeting someone and slowly falling in love with them through the mundane minutiae of everyday life to the coveted "love at first sight" spark and the resulting explosion of passion and lust. Pick any poem within the collection and experience anew the fervor of fresh love and lust and let your love bloom! The following authors contributed to this collection: Alethia Grishikian, Alexandra Graffeo, Alexia Leigh, Bree Leto, Darren Beaney, Donald James, Ellen R. Grace, Emily D. Xi, Farhan Ali Baloch, Gerald O. Ryan, Ginna Wilkerson, Jake Cosmos Aller, James Alexander, Jasmine Tiera Harrell, John Ling, Jonathan Miller, Kaitlin Richcreek, Kevin Grommersch, Kiara Ash, Liz Taylor, Nick Sweet, Oz Hardwick, Peggy M. Earnest, Robert Fife, Samhita K., Taryn Thuynsma, Terril George, Vinod Pachu

The Russian Manuscript is a short story about two sleuths, a psychologist and a quantum physicist who discover a new phenomenon. They achieve massive success and become heroes for their accomplishment. This books comprises three main characters and dabbles with quantum physics and parapsychology in its narrative.

At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.