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STEEP CURVE is a book of final father poems. Returning to Australia from Ireland, December 2019, the poet sees her active, independent father, almost 100, beginning to age. The two, initially uncertain what's happening, live together two and a half years, and during covid lockdown. They share the poet's childhood home, which her father built 65 years before. Her sole caring grows their relationship through physical and emotional challenges, anger, frustration, loss and love. Drawn together in an intimacy few daughters or fathers experience, comfort for the poet lies in a practice she develops of observing daily 'one lovely thing'. Resulting nature poems are interspersed in the book. The loss of Ireland for the poet, drives reflections on place and 'home'. Additionally, past poems for her father are interleaved as 'backspaces', creating a rich picture of a long, loving, sometimes difficult relationship. Heartbreaking and tender, poems created with love and skill: this is the poetic narrative of their shared journey.

Annotation. When a feminist and a monk fall in love, poetry results.

In the early 1980s the new reproductive technologies available supposedly offered infertile women a chance to have children. However, there was growing concern that the determination of scientists to dominate nature, their disregard for women’s well-being, and the financial gains to be made from these technologies would together result in the increased modification of all women’s lives and the loss of even more control over our own bodies. Originally published in 1985, the essays in Man-Made Women describe the technologies being used and researched in the areas of in vitro fertilization (’test-tube babies’), sex-predetermination and embryo transfer at the time. They discuss the practical application of the technologies on an international scale and draw attention to the racist and classist assumptions on which they are based. There is also information about the international action that feminists had begun to counter these so-called benevolent and therapeutic technologies. Man-Made Women hoped to encourage women to start questioning the ‘miracle’ of these new reproductive technologies and to become involved in crucial decisions about their bodies and their lives.

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