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This collection comprises notebook and drawings from Robert Holman.

A collection of five plays by Robert Holman.

A contemporary classic, with each chance meeting overshadowed by war.

Drawing on more than 120 personal interveiws with addicted physicians, dentists, nurses, pharmacists, attorneys, and airline pilots and those who treat them, Professor of Biobehavioral Sciences Robert Coombs gives us a startling picture of drug abuse among "pedestal professionals" unveiling a problem that affects nearly every family in America.

Robert Holman's play Today is a panoramic study of life, desire and the search for a fundamental self, set against the backdrop of Depression-era England and the Spanish Civil War. It was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, on 23 October 1984. The play opens in Guisborough in North Yorkshire in 1936, where music teacher and aspiring composer Victor Ellison crosses paths with manual labourer Richard Hurll who, after two and a half years without work, has set out from Newcastle to walk to Whitby in search of his twin brother Ernest, and the chance of paid work. The play's action circles around the Ellison family, including a flashback to Victor's days at King's College, Cambridge, in the 1920s, and on to the battlefields of the Spanish Civil War in Act Two, where courage, idealism and solidarity are tested in the furnace of conflict. The premiere production was directed by Bill Alexander and performed by Penny Downie, Roger Allam, David Whitaker, George Raistrick, Amanda Root, Jimmy Yuill, Rowena Roberts, Donald McKillop, Kelly Gregory, Charlotte Williams, James Simmons, Polly James, Simon Templeman, Jim Hooper and Katharine Rogers.

Sisters Dolly and Esther grow up in ultra-conservative Harrogate in the 1960s. Fifty years later, following the death of their mother, Dolly comes to stay with Esther - now a successful novelist and living in Little Venice with her younger, inscrutable lodger, Jude. The three go to Norway to meet the rock-star grandfather Jude has only ever heard about. Instead, he meets Anila who changes his world. To make a new future, these four people will have to be honest, heal old wounds - and two sisters learn to laugh together again. The Lodger by Robert Holman is an enlightening, cathartic and acerbic play about identity, maturity and reconciliation. It premiered at The Coronet Theatre, London, in September 2021.

"Robert Holman is the quiet man among modern British dramatists. But his new play...is an outstanding work that sings with truth" (Michael Billington, Guardian) Rafts and Dreams: "While digging up the roots of a tree in the garden, Neil, Leo and Hetty uncover a vast underground lake which floods away the world. With Leo at the tiller of his sawn-away living room, the trio begin a voyage of the earth's watery surface. It is a surrealist fantasy at its most thought-provoking, a play whose best bits manage to work like a dream" (Paul Taylor, Independent). Outside the Whale is a fictional account of the writer George Orwell set in the early 30s in which the action moves easily over a period of three years and settings as various as the basement warehouse of the publishers Victor Gollancz, a hen-hut in Essex and the dosshouse in Romford.

On a farm in the North East of England a family gathers. Five brothers and four generations feature in an epic play about hope, love, fear and the very end of time. A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humour and quirky, surreal touches. The play represents a unique collboration between three of the UK's pre-eminent stage writers. The ambition of the partnership is matched by the ambition of the play's sweeping scope. Whilst the three voices collide, they also ring out individually without sacrificing the piece's coherent wholeness, and the play represents a rare, fascinating study in stage collaboration.

Based on documentary research and extensive interviews, this book breaks new ground by relating the personal histories of child care pioneers to wider policy and practice developments.

Holman's gripping new play explores the nature of violence and possibility of redemption.