Search

On the eve of the Revolution, the Carolina lowcountry was the wealthiest and unhealthiest region in British North America. Slavery, Disease, and Suffering in the Southern Lowcountry argues that the two were intimately connected: both resulted largely from the dominance of rice cultivation on plantations using imported African slave labor. This development began in the coastal lands near Charleston, South Carolina, around the end of the seventeenth century. Rice plantations spread north to the Cape Fear region of North Carolina and south to Georgia and northeast Florida in the late colonial period. The book examines perceptions and realities of the lowcountry disease environment; how the lowcountry became notorious for its 'tropical' fevers, notably malaria and yellow fever; how people combated, avoided or perversely denied the suffering they caused; and how diseases and human responses to them influenced not only the lowcountry and the South, but the United States, even helping to secure American independence.

Moonlight, Magnolias, and Madness is a social history of the perceptions and treatment of the mentally ill in South Carolina over two centuries. Examining insanity in both an institutional and a community context, Peter McCandless shows how policies and attitudes changed dramatically from the colonial era to the early twentieth century. He also sheds new light on the ways sectionalism and race affected the plight of the insane in a state whose fortunes worsened markedly after the Civil War. Antebellum asylum reformers in the state were inspired by many of the same ideals as their northern counterparts, such as therapeutic optimism and moral treatment. But McCandless shows that treatment ideologies in South Carolina, which had a majority black population, were complicated by the issue of race, and that blacks received markedly inferior care. By re-creating the different experiences of the insane--black and white, inside the asylum and within the community--McCandless highlights the importance of regional variation in the treatment of mental illness.

Convinced that truth can best be revealed by juxtaposition, reflection, or distortion, he illuminates his protest against the modern abundance fetish by means of indirect lighting. His favorite idiom is irony, one that rests on limited expectations. But his country doesn't suffer from scarcity, and the narrative mode he favors is the long (or mega) novel. In this regard, Gaddis calls forth Walt Whitman. Gaddis is large, embraces multitudes, and is unafraid of self-contradiction. Thus he favors a narrative texture that's thick and heavy with a good deal of spillover. He resists imposing clean, consecutive discourse upon a reality consisting largely of a scumbling of depths, mirror images, and puzzling alternatives.

Explores how disease and human responses to it influenced the South and the United States.

The #1 New York Times bestselling author of Ghost Story brings the chilling Blue Rose Trilogy to an astonishing close—secrets unearthed, demons revisited, and mysteries solved. • “A masterpiece…. The most intelligent novel of suspense to come along in years.” —The Washington Post Book World Tim Underhill, now an acclaimed novelist, travels back to his hometown of Millhaven, Illinois after he gets a call from John Ransom, an old army buddy. Ransom believes there’s a copycat killer on the loose, mimicking the Blue Rose murders from decades earlier—he thinks his wife could be a potential victim. Underhill seeks out his old friend Tom Pasmore, an aging hermit who has attained minor celebrity as an expert sleuth, to help him investigate. They quickly discover that Millhaven is a town plagued by horrifying secrets and there is a twisted killer on the loose who is far more dangerous than they ever imagined. Expertly tying together the events of Koko and Mystery, The Throat proves Peter Straub to be the master of the suspense novel.