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Patricia McKee demonstrates that Richardson, Eliot, and James see disorderliness and indeterminacy in the human self, human relations, and literature as primary sources of meaningfulness. The relationships these novels portray as most satisfying are unsettled and unsettling, interfering with rather than contributing to social stability. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The changes wrought by industrialization in the nineteenth century were heralded by many as the inevitable march of progress. Yet a fair share of critics opposed the encroachment of modernity into everyday life. Wedding Walter Benjamin's critique of urban modernity with several canonical works of fiction, Patricia McKee's study challenges the traditional ways we look at Victorian literature and culture. In Great Expectations, Our Mutual Friend, Jude the Obscure, and "In the Cage," characters struggle to find a place for the parts of the self that do not fit the conventional image of middle-class Victorian success in the rapidly expanding world of metropolitan London. Reading Constellations focuses on this tension, exploring how characters attempt to fit in or adapt to urban society. Throughout, Patricia McKee draws on Walter Benjamin's philosophy of history to examine the aforementioned works of fiction by Dickens, Hardy, and James. The dialectical notion of the "constellation" is deployed in each chapter to read moments in which past and present collide and the ways these writers "open out" the representation of the city to new modes of articulation and-through narrative perception-the reader's perception of the phenomena of the city, its place as the exemplar of modernity, and the ways in which it determines subjectivity. Benjamin's concept of "colportage" is also used as a tool to demonstrate how Victorian fiction distributes and alters various possibilities in time and space. Ultimately, Reading Constellations demonstrates how Victorian fiction imagines a version of urban modernity that compensates for capitalist development, reassembling parts of experience that capitalism typically disintegrates.

Looks at how racial identity is produced in novels by James, Faulkner and Morrison and makes the non-essentialist argument that "race" becomes visible to us through a process of image production and exchange.

Approaches American gender through and historical and multicultural framework. This text seeks to challenge students to consider that addressing gender inequality in America involves not just activism or new laws and policies, but new modes of throught, a rethinking of our deepest, taken-for-granted and premises about the world.

Herlihy examines the prevalance of alcohol in Russian social, economic, religious & political life. She looks at how the state, church, military, doctors & the czar tried to battle the problem of over-consumption of alcohol in the imperial period.

My book, The Snow Angel, is a cute little story about a small family. A story about a young girl who got left at an orphanage, who had a really hard time trying to open up to others, to make friends with the other children. She has hoped for the right one to call her own, but after so long and so many falls, it was after so many months later that she fought the bitter cold. As you will see more into my story, she spent several days outside in the freezing temp and days outside on her own as she went searching for the right family.

Written exclusively from the phenomenological perspective, this book offers a unique approach to finding meaning in human experiences through a post-modern interpretation of the study of being.