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This unique and comprehensive overview of open and distance education is written by one of the best known names in the field. It integrates historical, contemporary and future aspects of distance education. Packed with international case studies, it goes beyond looking at the methods and technology of distance education, giving Otto Peters' renowned visions on the sociological and social impacts of distance education. Now published in paperback for the first time, this new edition includes a new section on virtual universities. A major contribution to thinking on open and distance education, this new edition will reach an even wider audience.

Brings together the best of Otto Peters' work, most of which has not been previously available in English. Essays cover the historical development of distance education, from the 1950's to education in post-industrial society.

it will be on view from September 24, 2010, to January 2, 2011. It includes the paintings that Dix is best known for - paintings from the so-called "golden Weimar years" - but to contextualize them, it also includes Dix's work from the early 1920s, as well as his later more allegorical work, produced as veiled protest against the Third Reich." --Book Jacket.

The celebrated German artist Otto Dix, a volunteer for the German Army during World War I, went on to create some of the most powerful anti-war images of the modern age. This book presents the work of the controversial artist.

Louise Otto-Peters: Frauenleben im deutschen Reich. Erinnerungen aus der Vergangenheit mit Hinweis auf Gegenwart und Zukunft Erstdruck: Leipzig (Moritz Schäfer) 1876. Die fehlerhafte Paginierung des Originals zwischen S. 96 und 113 wurde korrigiert. Vollständige Neuausgabe mit einer Biographie der Autorin. Herausgegeben von Karl-Maria Guth. Berlin 2015. Textgrundlage ist die Ausgabe: Louise Otto: Frauenleben im Deutschen Reich: Erinnerungen aus der Vergangenheit mit Hinweis auf Gegenwart und Zukunft, Leipzig: Verlag von Moritz Schäfer, 1876. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Louise Otto, Photographie von Marie Borkein in Memel, um 1880. Gesetzt aus Minion Pro, 11 pt.