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27 successful women entrepreneurs share with you stories and methods to get ahead in your business and your life. Through their own successes and failures they share with you vulnerable, genuine and authentic stories and experiences that you can learn from and implement into your life or business.

This work traces the theatrical representation of the witch on the Early Modern English stage. I examine the ways in which the witch was constructed as a binary opposite against which dominant society could define itself. This work provides close readings of three representative plays from the era: Macbeth, The Witch of Edmonton, and The Witches of Lancashire. I also investigate the significance of the personal involvement of King James I in real-life witch trials. This work breaks the progression of the witch into three stages - fear, familiarity, and ridicule - each of which served to allay the anxieties of dominant culture. Situating the texts within the specific historical cosmology of their original productions, I suggest one possible mapping of the intersections of the intersections of gender, class, nation, politics, and economics which they depict.

The Confederate officers were ready for the Federal garrisons to fight thousands of forces. The Confederate recruits had mediocre weapons and poor ammunition.

Expressions of friendship and poetry written for "Lizzie" Polister with one entry addressed to "Mrs. B." Many Freeport, Me., names are represented in the album (published by J.C. Riker, New York City, with a steel engraved drawing on the t.p.)