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This collection provides the first full-length investigation of the oeuvre of one of Britain's leading dramatists: Timberlake Wertenbaker. By considering the polyglot playwright's theatre from translations and adaptations to new plays as a dynamic continuum of «translations and transformations», Maya Roth and Sara Freeman create an intriguing, focused frame for understanding Wertenbaker's work as distinctly cross-cultural, theatrically rich, and intertextual, providing a prescient case study of the translational turn emerging in international theatre today. The contributors investigate translation theory and practice through Wertenbaker's diverse linguistic and genre translations - from French, ancient Greek, and Italian to English, and from myth, history, classics, fairytale, and literature to the stage. Interrelated chapters by scholars and artists from varied countries, language traditions, and disciplines use performance studies, comparative literature, feminist theory, and cultural anthropology to position Wertenbaker's theatre as a critical nexus for analyzing - and imagining - cross-historical dialogues with contemporary audiences and our plural legacies. Thanks to its substantive engagement with the ethics, theories, and collaborative practices of theatrical translation and adaptation more broadly, and its equally rigorous examination of Wertenbaker's hybridic politics and poetics, this collection can serve as a useful resource for scholars and artists, both.

LESBIAN & QUEER PLAYS FROM THE JANE CHAMBERS PRIZE edited by Maya E. Roth and Jennifer-Scott Mobley with a preface by Jill Dolan and an afterword by Sara Warner This volume, the first of two, gathers five plays from the history of the Jane Chambers Prize: UNSPEAKABLE ACTS by Mary F. Casey, FULL/SELF by Claire Chafee, THE SIEGELS OF MONTAUK by Meryl Cohn, A LIVE DRESS by MJ Kaufman and FEMMES by Gina Young. THE JANE CHAMBERS PRIZE recognizes plays and scripts for performance written by a woman that present a feminist perspective and significant roles for female performers. This annual award is given in memory of lesbian playwright Jane Chambers who, through her plays and activism became a major feminist voice in American theater. This publication is a collaboration between WTP and NoPassport Press.

LESBIAN & QUEER PLAYS FROM THE JANE CHAMBERS PRIZE edited by Maya E. Roth and Jennifer-Scott Mobley with a preface by Jill Dolan and an afterword by Sara Warner This volume, the first of two, gathers five plays from the history of the Jane Chambers Prize: UNSPEAKABLE ACTS by Mary F. Casey, FULL/SELF by Claire Chafee, THE SIEGELS OF MONTAUK by Meryl Cohn, A LIVE DRESS by MJ Kaufman and FEMMES by Gina Young. THE JANE CHAMBERS PRIZE recognizes plays and scripts for performance written by a woman that present a feminist perspective and significant roles for female performers. This annual award is given in memory of lesbian playwright Jane Chambers who, through her plays and activism became a major feminist voice in American theater. This publication is a collaboration between WTP and NoPassport Press.

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements What does desire have to reveal about the nature of power? Through a detailed focus on the lives and loves of Catholic priests as they enter the profane world of party politics, Maya Mayblin explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil’s constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil’s poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism’s complex connection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world’s largest religious institution.

Experiencing fear in front of the screen is a common phenomenon in childhood, and a focus of public concern. Yet, research has encountered ethical and methodological challenges and has focused largely on the effects of watching disturbing news. In this innovative book, this universal experience is investigated in depth via two complementary studies: 1) a retrospective study of experiences related by 626 undergraduate students from eight countries; and 2) a study of the current nightmares induced by watching television of 510 children in five countries. The results presented in this book highlight the most common elements of fear in front of the screen more generally, followed by a focused analysis of the unique features of fear that characterize different developmental stages: pre-school, middle childhood, pre-teens and teenagers. The rich descriptions distinguish between the negative experiences of fear versus the positive experiences of thrill, and explores gender and cultural differences. Finally, the book offers implications for media producers and policy makers as well as for parents and educators.

Now in a fully updated Fifth Edition, Shnider and Levinson's Anesthesia for Obstetrics, continues to provide the comprehensive coverage that has made it the leading reference in the field. The rising number of Cesarean births and the more advanced age of first-time mothers in the United States have brought with them an increased risk for complications, making the role of the obstetric anesthesiologist increasingly important. This comprehensive reference addresses maternal and fetal physiology; fetal assessment; anesthesia and analgesia in both vaginal and Ceserean delivery; neonatal well-being; management of fetal, maternal, and anesthetic complications; and management of coexisting disorders in the mother. The Fifth Edition includes a new editorial team, a new full-color format, and new sections on Assessment of the Fetus, Anesthesia for Cesarean Delivery; Neonatal Well-Being: Old and New Concepts; Ethical, Medical, and Social Challenges and Issues; Maternal Safety, Difficult and Failed Intubation, Morbidity, and Mortality; and Anesthetic Considerations for Reproductive, In-Utero, and Non-Obstetric Procedures

Este libro es producto de las cátedras de periodismo en las universidades Externado de Colombia, Javeriana, Central y Los Libertadores, como también del ejercicio profesional del mismo en periódicos, revistas, emisoras programas de radio y noticieros de televisión. Son reflexiones y análisis que no pretenden convertirse en verdad revelada para nadie. Por el contrario, son el resultado del deseo de compartir preocupaciones e indagaciones alrededor del mejor ejercicio de esta especialidad, recogiendo las experiencias de la evolución del mismo en Colombia; los aportes que este le ha hecho al país y una evaluación crítica de la forma como se ejerce en la actualidad en los distintos medios de comunicación. Importante reconocer el desarrollo del periodismo económico en el país: hoy, hay más periodistas dedicados al área económica, cada vez más preparados y conscientes de su responsabilidad en contribuir a una mejor democracia política y económica en nuestro país.

2017 Jordan Schnitzer Book Award in Jewish Literature and Linguistics Honorable Mention, 2016 Baron Book Prize presented by AAJR A monster tour of the Golem narrative across various cultural and historical landscapes In the 1910s and 1920s, a “golem cult” swept across Europe and the U.S., later surfacing in Israel. Why did this story of a powerful clay monster molded and animated by a rabbi to protect his community become so popular and pervasive? The golem has appeared in a remarkable range of popular media: from the Yiddish theater to American comic books, from German silent film to Quentin Tarantino movies. This book showcases how the golem was remolded, throughout the war-torn twentieth century, as a muscular protector, injured combatant, and even murderous avenger. This evolution of the golem narrative is made comprehensible by, and also helps us to better understand, one of the defining aspects of the last one hundred years: mass warfare and its ancillary technologies. In the twentieth century the golem became a figure of war. It represented the chaos of warfare, the automation of war technologies, and the devastation wrought upon soldiers’ bodies and psyches. Golem: Modern Wars and Their Monsters draws on some of the most popular and significant renditions of this story in order to unravel the paradoxical coincidence of wartime destruction and the fantasy of artificial creation. Due to its aggressive and rebellious sides, the golem became a means for reflection about how technological progress has altered human lives, as well as an avenue for experimentation with the media and art forms capable of expressing the monstrosity of war.

5. Tamquam domino proprio: The Bishop and His Jews in Medieval Palencia -- Part 3. Jews and Christians in Northern Castile (ca. 1250-ca. 1370) -- 6. The Jews of Castile at the End of the Reconquista (Post-1250): Cultural and Communal Life -- 7. Jews, Christians, and Royal Power in Northern Castile -- 8. "Insolent, Wicked People": The Cortes and Anti-Jewish Discourse in Castile -- Bibliography -- Index