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John was a 25 year old man, handsome, muscular and slim. He liked to flirt and had it very easy to conquer women. He was not available for steady relationships. This was mainly due to the fact that he did not like to work very much and lived more or less from hand to mouth. He earned his money with odd jobs. If he had something put aside, then he lazed around and let the good Lord be a good man. He lived in a small house, which had belonged to his parents and in which he had grown up. The house was paid off, so he could live more or less for free. John was a wool fetishist and he never missed an opportunity to conquer women who wore woolen clothes. During the cold season, many opportunities arose. But as soon as the weather got warmer, women started to walk around in lighter clothing again and John lacked the appropriate 'game'. It excited him sexually when he could make love to the women when they wore their woolens on their bare skin, but also when he could wear their wool on his skin. He loved mohair wool the most. But he was not averse to other types of wool either. The main thing was that they scratched his skin. One day, a woman of about 35, wearing a beautiful red knitted dress made of cashmere wool, complained to him that she wanted to go on vacation, but had no one to empty her mailbox and water her flowers. John had seen the woman several times before. She was pretty, had brown shoulder-length hair, brown eyes, a pout, and quite a bit of wood in front of the cabin. Her perfume smelled seductive. She always wore very nice woolen clothes and John had often thought about how he could get closer to the lady. Then he had a flash of inspiration. "I'm a house sitter," he explained to the woman. "Housesitter? What's that?" the lady asked. "Well," John began, "a housesitter is a person who looks after a house. He does the things that are requested to be done by the home or apartment owner while he is away for an extended period of time. This can range from emptying mailboxes, airing out, caring for animals, watering plants, to living inside. Depending on what is requested." "That's very interesting," the lady commented. "And you do that sort of thing?" John replied in the affirmative and mentioned that he still had a slot available. They quickly agreed on the price, as the lady had no idea what such a thing cost, so she went with the slightly above-market price. "Make me out a contract, please," the lady ordered, "and come to this address this afternoon so we can discuss everything else." She placed her business card on the table and, after paying for both coffees, left the premises. ...And so the story takes its course. Mandy Hauser published various erotic stories about wool fetishism on her blog. Now she has decided to make these stories, in the form of e-books, available to the general public. Mandy Hauser is well known in the wool fetish scene. Her goal is to make wool fetish a little more known and respectable.

Ben is a wool fetishist with a passion. He loves wool more than anything. Especially he likes to see wool on attractive women. He loves touching wool, which excites him sexually. He has a habit of approaching women and secretly touching their wool. Ben had the feeling that none of the women he stared at or tried to touch noticed anything. But he was mistaken. In the store where he worked, he was seduced by Isabelle, a young woman who shared his passion for voluptuous things. As it later turned out, Isabelle was a wool witch. Woollen witches can use their full power without problems only up to the age of thirty. Once they get over thirty, they need an elixir of life, which they obtain from the sperm of their 'victims'. The elixir gives them back their magic power and makes them younger again. Thus, a witch over fifty years old may look like twenty-five. With his passion for wool-dressed women, Ben slipped from one adventure to the next.

Das Buch befasst sich mit der Qualität Partizipativer und Inklusiver Forschung gemeinsam mit Menschen, denen eine sogenannte geistige Behinderung zugeschrieben wird. In der inklusionssensiblen Hochschulentwicklung kommt dem gemeinsamen Forschen eine wichtige Rolle zu und wird unter dem Motto "Nothing about us without us" im Rahmen der Disability Studies schon lange gefordert und umgesetzt. Für die Nachhaltigkeit und Wirkkraft der durch diese Forschungsansätze gewonnenen Erkenntnisse ist die Auseinandersetzung mit der Qualität der Forschungsarbeiten von zentraler Bedeutung. Als Grundlage dafür ist jedoch zunächst die Frage zu klären, was denn wissenschaftliche Qualität eigentlich ausmacht? Darauf werden unter anderem in Rückbezug auf die wissenschaftstheoretischen Perspektiven der Kritischen Theorie und der Feministischen Forschung Antworten gegeben. Auf der Basis einer Analyse themenspezifischer Publikationen, über Interviews mit forschungserfahrenen Personen und durch die Erörterung spezifischer Schwierigkeiten und Herausforderungen werden daran anknüpfend Qualitätskriterien erarbeitet, die den besonderen Wert partizipativer und inklusiver Forschungsansätze herausstellen und eine qualitativ hochwertige Forschung ermöglichen. (DIPF/Orig.).

An educational theory intended to address the group of people who are thought to suffer from intellectual disability has a responsibility to self-critically examine the history of its own development, its current self-image and the question of its legitimacy and positioning for the future. Against the background of increasingly obvious assaults on basic humane and democratic values, this book reflects on the positive achievements and also on the power of exclusion of an educational theory addressing suspected intellectual disability. The book is dedicated to the importance of human rights&based action in selected fields of educational work and different areas of life. It takes a discrimination-sensitive, socially critical look at normative stances in the profession and discipline of educational theory that still attaches fixed diagnoses to individuals and leads to exclusion. The relevance of the resulting ?educational theory of segregation= is examined in theory, research and practice.

Contains adult themes and/or strong language.

Laurel and Hardy were a comedy duo who performed during the early Classical Hollywood era of American cinema, comprising Englishman Stan Laurel (June 16th, 1890 - February 23rd, 1965), with American Oliver Hardy (January 18th, 1892 - August 7th, 1957). They became famous for their slapstick comedy during the late 1920s to the mid-1940s, with Laurel playing the clumsy and childlike friend of the pompous bully Hardy. The duo's signature tune known as "The Cuckoo Song," "Ku-Ku," or "The Dance of the Cuckoos," was played over the opening credits of their movies, having become as emblematic of the duo as their bowler hats.