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A fascinating survey of the varied career of an inventive and influential 19th-century photographer, from allegorical montage to Darwin's catalogue of emotions Oscar G. Rejlander (1813-1875) was a Swedish-born photographer who pioneered the genre of art photography. He is best known for combining negatives to form elaborate allegorical compositions and for his ability to communicate expression through his photographic studies and portraits. His influence shines in the works of other important photographers of the day. This catalogue accompanies the first major retrospective on this vital yet understudied figure and considers the whole range of his activities, including his work as a painter and printmaker. Lori Pauli introduces Rejlander with a comprehensive survey of his life and career. Three essays follow, from leading scholars in the field of 19th-century photography, with topics ranging from Rejlander's engagement with Victorian painting, to his studio and working methods, to his artistic circle and work with Charles Darwin. Engagingly written and beautifully illustrated, this publication fills a void in scholarship on Rejlander; it also sheds light more broadly on the intersection of art and science and the uses of photography in Victorian culture, as well as the history of photography and its impact on Victorian culture. Distributed for the National Gallery of Canada Exhibition Schedule: National Gallery of Canada (10/19/18-02/03/19) J. Paul Getty Museum (03/12/19-06/09/19)

"Only recently has the name Margaret Watkins come to be cited in the annals of twentieth-century photography. Born and raised in Canada, Watkins became a driving force at one of the most important photography schools in America. Her photographs, most notably her still-life images, now key works in the history of early advertising photography and classic examples of modernist photography, have earned her special recognition within the history of the medium."--Publisher website.

A catalog to an exhibition of photographs that depict the effect of industrialization on the environment.

19th-century British Photographs is gloriously illustrated olume that showcases the depth and variety of photographs from the National Gallery of Canada's permanent collection, and places them in their social and historical context. Featuring a number of iconic works from some of the medium's earliest practitioners - inc. Julia Margaret Cameron, William Henry Fox Talbot, Frederick H. Evans, Roger Fenton and Henry Peach Robinson - and an insightful analysis of the various photographic processes in use at the time, such as salted paper prints, daguerreotypes, albumen silver prints, collotypes and carbon prints, 19th-Century British hotographs provides readers with a complete overview of the crucial period in the development of photography.

Catalogue of an exhibition held at the National Gallery of Canada, Ottawa, May 30-Oct. 19, 2008.

Cette exposition comprend, une centaine de superbes photographies de notre collection, allant des images historiques de William Henry Fox Talbot, datant de 1839, aux études architecturales et sophistiquées de Frederick H. Evans au tournant du siècle dernier. (Exposition de 4 février - 17 avril au Musée des beaux-arts du Canada, Ottowa).

This book takes an engaging look at the work of ground-breaking conservationist, Rachel Carson, and her work to uncover the dangers of pesticides. It covers Carson's inspiration, her methods, findings, and the impact of her work on the environment movement.