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Upward, Not Sunwise explores an influential and growing neo-Pentecostal movement among Native Americans characterized by evangelical Christian theology, charismatic “spirit-filled” worship, and decentralized Native control. As in other global contexts, neo-Pentecostalism is spread by charismatic evangelists practicing faith healing at tent revivals.In North America, this movement has become especially popular among the Diné (Navajo), where the Oodlání (“Believers”) movement now numbers nearly sixty thousand members. Participants in this movement value their Navajo cultural identity yet maintain a profound religious conviction that the beliefs of their ancestors are tools of the devil. Kimberly Jenkins Marshall has been researching the Oodlání movement since 2006 and presents the first book-length study of Navajo neo-Pentecostalism. Key to the popularity of this movement is what the author calls “resonant rupture,” or the way the apparent continuity of expressive forms holds appeal for Navajos, while believers simultaneously deny the continuity of these forms at the level of meaning. Although the music, dance, and poetic language at Oodlání tent revivals is identifiably Navajo, Oodlání carefully re-inscribe their country gospel music, dancing in the spirit, use of the Navajo language, and materials of faith healing as transformationally new and different. Marshall explores these and other nuances of Navajo neo-Pentecostal practices by examining how Oodlání perform their faith under the big white tents scattered across the Navajo Nation.

Conclusion: Resonant Rupture, Sovereignty, and Global Pentecostalism -- Notes -- References -- Index

Race and ethnicity have a significant impact on leisure behavior and activity choices. Yet, until now, no book has thoroughly explored that impact, though this topic is critical for leisure professionals to understand as they shape services and programs to meet the needs of the diverse populations they serve. Race, Ethnicity, and Leisure: Perspectives on Research, Theory, and Practice brings together 28 world-renowned researchers who provide a comprehensive review and unified perspective on leisure in relation to five minority populations in the United States and Canada: African Americans, Latino Americans, Asian North Americans, Indigenous peoples, and religious minority groups. This text offers a compendium of knowledge as it • synthesizes leisure research on race and ethnicity and discusses how changing demographics will affect leisure behaviors and activities in the 21st century; • explains the leisure behaviors and participation patterns of racial and ethnic minority groups in the United States and Canada; • explores issues, including natural resource recreation, physical activity and health, tourism, and sport, as they relate to recreation activities among minorities; and • presents an international perspective, delving into the leisure behaviors of minority groups in Europe, Australia, New Zealand, and East Asia. Race, Ethnicity, and Leisure examines the current theories and practices related to minority leisure and reviews numerous issues related to these diverse groups’ leisure, including needs and motivations, constraints, and discrimination. The authors consider leisure behavior of ethnic and racial groups , investigating issues such as types of recreation participation among specific groups, recreation in specific environments, and factors affecting participation. The book also suggests future directions in research and professional practice, guiding students and professionals in addressing the demographic changes in the U.S. and Canadian populations. The result is an unprecedented text that offers an extensive look at the changing landscape of recreation, leisure pursuits, our world, and the populations that are driving these changes. As such, Race, Ethnicity, and Leisure is an essential text for those preparing to enter the recreation and leisure field.

Kimberly Rhodes's interdisciplinary book is the first to explore fully the complicated representational history of Shakespeare's Ophelia during the Victorian period. In nineteenth-century Britain, the shape, function and representation of women's bodies were typically regulated and interpreted by public and private institutions, while emblematic fictional female figures like Ophelia functioned as idealized templates of Victorian womanhood. Rhodes examines the widely disseminated representations of Ophelia, from works by visual artists and writers, to interpretations of her character in contemporary productions of Hamlet, revealing her as a nexus of the struggle for the female body's subjugation. By considering a broad range of materials, including works by Anna Lea Merritt, Elizabeth Siddal, Dante Gabriel Rossetti, and John Everett Millais, and paying special attention to images women produced, Rhodes illuminates Ophelia as a figure whose importance crossed class and national boundaries. Her analysis yields fascinating insights into 'high' and mass culture and enables transnational comparisons that reveal the compelling associations among Ophelia, gender roles, body image and national identity.

"This is a comprehensive examination of the Baptist movement in South Carolina from its founding to the eve of the Civil War. The author argues that from the beginning, the Baptist impulse and organization were driven by elites, who closely valued hierarchy and from the earliest times mounted a Christian defense of slavery. While the ideology of Baptists tended to emanate from the lowcountry, and there was some resistance to its details in the upcountry, Baptists ministers throughout the state fashioned a Christianized version of slavery that legitimized the institution"--

The icon of the female protester and her alter-ego, the female superhero, fills screens in the news, in theaters, and in digital spaces. The female protester who is Muslim, though, has been subject to a legacy of discrimination. Superheroes in the Streets: Muslim Women Activists and Protest in the Digital Age follows the stories of both famous and grassroots Muslim female protestors, bringing careful attention to protest modes and online national icons. US Muslim women have long navigated public and digital spaces aware of the complex and nuanced histories that trail them. Given the pervasive influence of mainstream feminism, Muslim women activists are often made out to be damsels in distress. Even when mass media turns its attention to the activism of Muslim women, persistence of these false narratives demeans their culture and hypersexualizes their bodies. Following the stories of US Muslim women activists, author Kimberly Wedeven Segall shows how they have been reinventing the streets and remaking racialized codifications. Segall highlights their creativity in crafting protest media of posters, rap rally songs, and digital images of superheroes, carving public spaces into inclusive and digital territories. Each chapter teases apart the complexities of public banners and digital activism.