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"When Neil Armstrong and Buzz Aldrin completed the American Apollo 11 mission of walking on the moon, the first thing that greeted them on their return was a neon advertising sign. It simply read: Welcome back to Earth, home of Coca-Cola." "Brands and branding surround us. Very often, people make decisions, both conscious and unconscious, to eat, drink, buy, or wear particular products or labels because of a corporation's self-projected image. The Web is the newest weapon in the corporate world's assault on the consumer: it has the potential to deliver a company's identity in seconds and, as a result, affords businesses a whole new way of gaining customers - or losing them. As companies seek to build and develop their brands online, they are entering a completely new arena, moving beyond logos, slogans, and graphic identity, and into the customer's total experience of interacting with the brand." "Branding Online examines key aspects of branding on the internet, highlighting them with nineteen in-depth case studies from the UK, the US, Europe, and Asia. Featuring well-known design companies dealing with big brands, such as ABSOLUT, Levi's, Mercedes, and Nike, as well as smaller, innovative agencies, the book demonstrates the vital importance of knowing how to express a brand on the Web. Also included is a "Guide to Online Branding" - practical advice on how to become an online brand leader."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Olaf, a 27-year-old Icelander, arrives in England on June 8th 2011 convinced he has been sent on a spiritual quest which involves scaling Scafell on Midsummer Night. Immediately arousing the suspicion of the authorities, he finds himself sectioned. He becomes a patient of Patricia, a 40-year-old psychiatrist from Co Mayo, who in the aftermath of an acrimonious divorce is struggling to cope with a manipulative medical director, an excessive caseload, disturbed teenage son Colm and a painful estrangement from daughter Caitlin. Patricia slowly unearth's Olaf's history of traumatic loss, including the death of his father during childhood, and the recent, unexplained disappearance of his young son. While Olaf appears steeped in esoteric knowledge and wisdom and enjoys a profound connection to nature, he lays claim to supernatural gifts and powers which Patricia concludes are largely illusory. She feels compelled to reconsider her views, however, when it becomes clear that the interactions with this young patient coincide with a series of significant and positive changes in her own attitude to and experience of life...

Male prostitutes, vampire wannabes, and a cloned movie star . . . 2045 is shaping up to be a rough year for detective Drew Parker. What started off as a simple case involving a deaf woman and her cheating boyfriend is getting complicated. It doesn’t help that the boyfriend is one of five identical actors cloned from the frozen corpse of a dead movie star. Or that he’s up to his neck in a convoluted blackmail plot. Or that the guy is being stalked by a secret agent, some dame in a clown mask with the combat skills of a ninja. And besides, Drew has his own problem to deal with. A personal matter involving a rent boy, a privatized version of the KGB, and a vampire sex cult. Well at least his Wiccan partner, Jen, is back to help him out. He may not believe in all her psychic mumbo-jumbo, but she sure gets results. And there’s no one he’d rather have at his back in a fight. The exciting sequel to The Gumshoe, the Witch, and the Virtual Corpse. "Like its predecessor, it employs the same irresistible zaniness and wit, multiple viewpoints, high sexual content (both gay and straight) and cheerfully chaotic narrative technique. The author has produced another engagingly weird novel of the near future, satirizing everything he can get his word processor on and doing most of it extremely well." -- Publishers Weekly

"Christmas has, indeed, arrived early with this romp."—Booklist July is a great time to celebrate Christmas! In the wild world of making a TV Christmas movie, a hot and sunny upstate New York summer becomes a winter wonderland, overnight. But as cool as the fake snow is, when the real life hero gets tangled up with the movie star, the screenwriter grapples for control of the story, and the fans become a hazard to life and limb, it'll take a Christmas miracle to pull everyone together. Up-and-coming LA screenwriter Ivy Green is about to have her life turned upside down. Her movie, based on her and her high school sweetheart's horrible Christmas breakup, is being filmed in her hometown. Nick Shepherd is less than thrilled to see Ivy after all this time. To complicate matters, Ivy has a budding relationship with the producer, the town is overflowing with movie stars and overly-adoring fans, and worst of all—the actress playing Ivy develops a crush on the real Nick! In the end, Ivy will need to re-write her life script to finally get everything she ever wanted.

In this examination of the ubiquitous practice of bullying among youth, compelling first person stories vividly convey the lived experience of peer torment and how it impacted the lives of five diverse young women. Author Keith Berry’s own autoethnographic narratives and analysis add important relational communication, methodological, and ethical dimensions to their accounts. The personal stories create an opening to understand how this form of physical and verbal violence shapes identities, relationships, communication, and the construction of meaning among a variety of youth. The layered narrative describes the practices constituting bullying and how youth work to cope with peer torment and its aftermath, largely focusing on identity construction and well being; addresses contemporary cyberbullying as well as other forms of relational aggression in many social contexts across race, gender, and sexual orientations; is written in a compelling way to be accessible to students in communication, education, psychology, social welfare, and other fields.

Take it apart, figure it out, put it back together. That's the ongoing mission of the U.S.S. da Vinci, commanded by Captain David Gold and his first officer, Commander Sonya Gomez, late of the Starship Enterprise™ and one of Starfleet's top engineers. They oversee a crack S.C.E. team composed of specialists in such diverse fields as tactical systems, alien cultures, computers, linguistics, and cryptography. Together they're ready to cope with just about every kind of high-tech challenge imaginable -- and a few that nobody could have imagined. For centuries, the planet Eerlik has had a thriving civilization, completely run, maintained, and administered by a giant sentient computer. But now that computer is breaking down and the desperate inhabitants are helpless to repair the damage. Only the crew of the U.S.S. da Vinci, accompanied by Geordi La Forge, can hope to fix the massive computer before the Eerlikkan society collapses entirely. Their mission grows more dangerous, however, when they discover evidence of sabotage -- and learn firsthand that hostile forces will do whatever it takes to stop Gold and his crew from saving the imperiled planet!

Documentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critical and commercial success. 100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumière brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts. Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Ontario, Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Voyages of Discovery: The Cinema of Frederick Wiseman (1992) and co-author, with Steve Blandford and Jim Hillier, of The Film Studies Dictionary (2001). Jim Hillier is Visiting Lecturer in Film at the University of Reading. He is the author of The New Hollywood (1993), the co-author of The Film Studies Dictionary (2001) and, with Alan Lovell, of Studies in Documentary (1972). His edited books include American Independent Cinema (2001) and two volumes of the English translation of the selected Cahiers du cinema (1985, 1986).

Dont Look Back, a documentary film of Bob Dylan's 1965 England tour, is recognised as a landmark work in the field of documentary film-making, contributing to the cultural life of an era. This text examines the aesthetic, thematic and social dynamics of the film in order to elucidate how and why it was a groundbreaking piece of documentary cinema.

This book is based on the theory that the black Muslim movement was created from the knowledge of the Masonic order. In the early decades of the 20th century, noble drew ali established a political and religious organization known today as the Moorish Science Temple of America. It was this organization that exposed black to something other than the normal Christian influences of that day. Ali a high degree freemason, incorporated various Masonic teachings from an auxiliary group. Known as the AEAONMS ancient Egyptian Arabic order of noble of the mystic shrine A pseudo Islamic/Arabic oriental organization that served as a wake up call to a lost knowledge. A knowledge that was taken away from Africans during the slave trades. The theory behind this book is that the majority of the slaves that were taken from the west coast of Africa were practicing Muslims, and these Muslims were forced to convert to Christianity under the strong oppression of slavery. At one time Afro-Americans were the biggest minority in the American society. About 90% of the todays population of blacks are descendants of slaves that were brought to America for working on plantations since the 16th century. At the beginning of the 19th century most of the so-called Negroes lived in the plantation areas of the Southern States. After the Civil War and the abolition of slavery it wasnt until the early 1920s and 30s that blacks were beginning to experiment with other faiths. Of all the faiths Islam became the fastest growing religion and the most popular. This book by far is in no way a research into black history, instead it covers a more deeper aspect of history in which I call the history behind the history. It explores the true Asiatic origins of the ancient religions of Hinduism, Buddhism well as the Islamic faith. Finally It explores the Masonic symbolisms of alis Moorish science dogma digging deeper into the esoteric side of his Aquarian/Masonic teaching explaining their origins and discovering an age old wisdom that had been kept hidden from the human eye. One would think that Africans in the Americas would have rejected the religious tradition of their European oppressors taking into consideration that African religions are far older & they possess more sources of knowledge & spiritual salvation. Yet there are those who have turned away from traditional Christian dominated environments in order to find a greater understanding of themselves and the world in which they live. One alternative has been to seek knowledge in the various religious groups that arose in the 20th century.