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Shows and describes all of Velazquez's major works.

For the most part, Goya's prints, which provided unequivocal evidence of his Enlightenment sympathies, were denied the wide circulation he intended for them. The artist's privileged position as Court Painter did not place him outside the orbit of the repressive regime in Spain before, during and after the Peninsular war with Napoleonic France; indeed, the Desastres series was not published until almost forty years after his death.

Catalogue raisonné.