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200 years on from the first publication of Frankenstein, John Sutherland delves into the deepest, darkest corners of Mary Shelley's gothic masterpiece to see what strange and terrifying secrets lie within. Is Victor Frankenstein a member of the Illuminati? Was Mary Shelley really inspired by spaghetti? Whoever heard of a vegan monster? Exploring the lesser-known byways of both the original tale and its myriad film and pop culture spinoffs, from the bolts on Boris Karloff's neck to the role of Igor in Young Frankenstein, Frankenstein's Brain is a fascinating journey behind the scenes of this seminal work of literature and imagination. Includes a unique digest by the Guardian's John Crace.

When it was first published in 1897 – 120 years ago – Irish author Bram Stoker's Dracula was ranked by the Daily Mail above work by Mary Shelley and Edgar Allan Poe, as well as Wuthering Heights. Yet it never made Stoker any money. Since 1931's film Nosferatu the Vampire, however, it has never been out of print and is legendary among fans of the dark, macabre and mysterious ... Critic John Sutherland, a Dracula fan since childhood – and author of the literary puzzle classics Is Heathcliff a Murderer? and Can Jane Eyre be Happy? explores the enigmas and puzzles of this towering giant of gothic novels, such as: Who was Dracula's father? Why does the Count come to England? Does the Count actually give Jonathan a 'love bite'? Why does every country we know of have a vampire legend? And finally – how long is it before we're all vampires? The book also includes 'Dracula Digested' by John Crace, author of the Guardian's Digested Reads column.

A photographic history of German submarines in the world wars, including unseen images from the personal collections of captains and crew. U-boats were the scourge of the seas for Allied shipping during both world wars, almost bringing Britain to the brink of starvation on several occasions. This book contains unseen photographs taken by German submarine crew and captains during each war. The World War One selection features a submariner’s photos of U-25, an early German U-boat. They belonged to WO Friedrich Pohl, who served on U-boats SM-25 and SMU-33. There are many photos of the U-boat itself, crew on deck, and attacks on Norwegian merchant ships with the surface gun. U-25 was launched July 12, 1913, sank a total of twenty-one ships and 14,126 tons, and surrendered to France on February 23, 1919. The World War Two photos include images from an original WW2 U-boat commander’s photo album. It belonged to Kapitan Leutnant Herbert Bruninghaus. As a U-boat navigator, he served on the famous U-38 under ace Heinrich Liebe. Bruninghaus later went on to command three U-boats of his own: U-6, U-148, and U-1059. There are also original images from a Kriegmarine officer’s photo album (unfortunately unnamed), including photos of Commander Prien’s U-47 returning to Kiel after attacks at Scapa Flow.

'Wonderful...concise, witty, effortlessly learned.' Sunday Times How does Magwitch swim to shore with a great iron on his leg? Where does Fanny Hill keep her contraceptives? Whose side is Hawkeye on? And how does Clarissa Dalloway get home so quickly? In this new edition sequel to the enormously successful Is Heathcliff a Murderer?, John Sutherland plays literary detective and investigates 32 literary conundrums, ranging from Daniel Defoe to Virginia Woolf. As in its universally loved predecessor, the questions and answers are ingenious and convincing, and return the reader with new respect to the great novels that inspire them.

A rare collection of personal photographs following Nazi Germany’s airborne soldiers on their missions through the Balkans, Crete, and Russia. The photos in this book are taken from an unpublished album that belonged to a member of the elite German Paratroopers. First Sgt Wilhelm Plieschen served with Fallschirmjager Machine Gun Battalion 7, which suffered very heavy losses in the invasion of Crete, then saw bloody conflict as Hitler’s “Fire-fighters” on the Russian Front and later put up fierce resistance in places such as Monte Casino. The revealing images that Jon Sutherland has compiled for us depict these struggles in dramatic detail, ranging from photographs taken en route to Crete of the paratroopers in a JU52 to 20 May 1941, when Plieschen was dropped over Crete. Some show other paratroopers drifting down and others feature formations of German aircraft amidst flak. Additionally, Sutherland has included amazing images depicting Germans on the deck of the badly damaged and abandoned HMS York in Souda Bay. There are photographs showing Major Erich Schulz decorating paratroopers on Crete and the then Commander of the Fallschirmjager, General Kurt Student, inspecting the troops. We later pay witness to Plieschen in Russia, where outstanding rare photos of paratroopers in heavy winter camouflage clothing portray the men enduring the heavy fighting that occurred in the region. “This intriguing book for the military historian consists of 125 contemporary photographs of the German Elite paratrooper regiment the Fallschirmjager during World War II.” —HistoryOfWar.org

As is too often the case with poets, the life of Scotlandï¿1/2s Robert Burns was filled with tragedy and hardship. Yet, this did not detract from his poetry; rather, it fed his talent for it. Even his death mirrored the adversity of his life. On July 26, 1796, on the same day that his wife gave birth to their ninth child, Robert Burns, the bard of Scotland, was buried, thirty-seven years old and in debt. More remarkable than his death was his life . . . the life that made the man that made the poetry. Born on January 25, 1759, in Alloway, in the district of Kyle, in Ayrshire, Scotland. The son of a farmer, Burns, beginning at age nine, worked the field and farmyard, while subsisting on a diet of only oatmeal and skimmed milk. Yet, even at this young age, his curiosity and imagination were strong, fueled by the stories of an elderly relative of his motherï¿1/2s, who had ï¿1/2the largest collection in the country of tales and songs concerning devils, ghosts, fairies, brownies, witches, warlocks.ï¿1/2 Later in life, Burns, enamored with the power of words, founded the Tarbolton Bachelors, a debating society. He also began to write. He wrote loveletters for those who could not. He wrote verse on scraps of paper. Too, Burns was enamored with the ladies, and more than once he fathered a child out of wedlock, adding that public humiliation to his misery. Throughout it all, he wrote. This common man wrote extraordinary poetry using ordinary, everyday speech, and, so doing, found his voice . . . a voice that spoke from his heart, his soul, a voice that spoke for Scotland to the world.

Visual techniques for applying criminological theory to social science research Introducing Criminological Thinking: Maps, Theories, and Understanding is an accessible and user-friendly criminological theory text for students, instructors and researchers. In addition to the unique use of concept maps, mind maps, and other visual techniques to consider theory-based inquiry, this text combines an exploration of the core elements of theory with relevant examples drawn from biology, psychology, sociology, critical traditions, and integrative efforts. Unlike in other theory texts, the chapters are arranged by level of explanation to help students understand how theories from different disciplines interact with each other as a foundation for many contemporary criminological theories. Authors Jon Heidt and Johannes Wheeldon have developed a seven-step model to identify key aspects of different theories including their historical and social context, base assumptions, scope, problem foci, terms/concepts, related research, and practical ramifications. This text offers both a student-friendly theoretical discussion and accessible visual examples to explain criminological theory and its applicability to social science research.

In June 1948, Joseph Stalin stopped all road and rail traffic coming into and out of the Allied sector of Berlin. He simultaneously cut off all electricity to the city, leaving only a 20-mile-wide sector of air corridors and one wayto get supplies to desperate, starving people. The United States, using the only method it could, led Allies in mobilizing an unprecedented airlift of thousands of tons of supplies each day. By September 1948, the airlift was transporting food, coal, medical supplies, and other necessities into West Berlin as aid for the residents. At the same time, the Russian military threatened to strike down any aircraft caught flying outside of the corridor. Finally, by April of 1949, Russia announced their intent to end the blockade, and in August of the same year, the United States airlift operation was terminated.

If you have ever looked at a fantastic adventure or science fiction movie, or an amazingly complex and rich computer game, or a TV commercial where cars or gas pumps or biscuits behaved liked people and wondered, “How do they do that?”, then you’ve experienced the magic of 3D worlds generated by a computer. 3D in computers began as a way to represent automotive designs and illustrate the construction of molecules. 3D graphics use evolved to visualizations of simulated data and artistic representations of imaginary worlds. In order to overcome the processing limitations of the computer, graphics had to exploit the characteristics of the eye and brain, and develop visual tricks to simulate realism. The goal is to create graphics images that will overcome the visual cues that cause disbelief and tell the viewer this is not real. Thousands of people over thousands of years have developed the building blocks and made the discoveries in mathematics and science to make such 3D magic possible, and The History of Visual Magic in Computers is dedicated to all of them and tells a little of their story. It traces the earliest understanding of 3D and then foundational mathematics to explain and construct 3D; from mechanical computers up to today’s tablets. Several of the amazing computer graphics algorithms and tricks came of periods where eruptions of new ideas and techniques seem to occur all at once. Applications emerged as the fundamentals of how to draw lines and create realistic images were better understood, leading to hardware 3D controllers that drive the display all the way to stereovision and virtual reality.

An illustrated guide to the history and evolution of the beloved role-playing game told through the paintings, sketches, illustrations, and visual ephemera behind its creation, growth, and continued popularity—now in a 50th Anniversary Edition with bonus content. FINALIST FOR THE HUGO AWARD • FINALIST FOR THE LOCUS AWARD • NOMINATED FOR THE DIANA JONES AWARD From one of the most iconic game brands in the world, this official Dungeons & Dragons illustrated history provides an unprecedented look at the visual evolution of the brand and its continued influence on the worlds of pop culture and fantasy. You’ll find more than seven hundred pieces of artwork within from • each edition of the core role-playing books, supplements, and adventures • the Forgotten Realms and Dragonlance novels • decades of Dragon and Dungeon magazines • classic advertisements and merchandise • plus never-before-seen sketches, large-format canvases, rare photographs, one-of-a-kind drafts, and more from the now-famous designers and artists associated with Dungeons & Dragons The superstar author team gained unparalleled access to the archives of Wizards of the Coast and the personal collections of top collectors, as well as the designers and illustrators who created the distinctive characters, concepts, and visuals that have defined fantasy art and gameplay for generations. The 50th Anniversary Edition also includes six fold-out sections featuring essential artwork from the most iconic—and deadliest—dungeons in D&D history. This is the most comprehensive collection of D&D imagery ever assembled, making this the ultimate collectible for the game’s millions of fans around the world.