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This book, first published in 1986, contains a collection of remarkable essays analysing such topics as the nature of reading, the power of books, literary creation, libraries and technology, and the freedom to read.

Originally published in 1948, this book contains the text of the Sandars Lectures in Bibliography for the previous year. Carter reflects upon the evolution and method of book collecting from the middle of the nineteenth century until the 1940s, and meditates on what it means to be a book collector, the changing definition of that term, and recent developments in collecting styles. This book will be of value to anyone with an interest in bibliophilism or the history of book collecting.

A groundbreaking, award-winning analysis of color in Western culture, from the ancient Greeks to the late-twentieth century by one of the most foremost authors on the subject. What does the language of color tell us? Where does one color begin and another end? Is it a radiant visual stimulus, an intangible function of light, or a material substance to be molded and arrayed? Color is fundamental to art, yet so diverse that it has hardly ever been studied in a comprehensive way. Art historian John Gage considers every conceivable aspect of the subject in this groundbreaking analysis of color in Western culture, from the ancient Greeks to the late twentieth century. Gage describes the first theories of color, articulated by Greek philosophers, and subsequent attempts by the Romans and their Renaissance disciples to organize it systematically or endow it with symbolic power. He unfolds its religious significance and its use in heraldry, as well as how Renaissance artists approached color with the help of alchemists. He explores the analysis of the spectrum undertaken by Isaac Newton and continued in the nineteenth century by artists such as Georges Seurat, traces the influence of Johann Wolfgang von Goethe's color theory, and considers the extraordinary theories and practices that attempted to unite color and music or make color into an entirely abstract language of its own. A seminal undertaking to suggest answers to many perennial questions about the role of color in Western art and thought, Color and Culture throws fresh light on the hidden meanings of many familiar masterpieces.

First published in 1986, this book draws together analyses of English and German. It defines the contrasts and similarities between the two languages and, in particular, looks at the question of whether contrasts in one area of the grammar is systematically related to contrasts in another, and whether there is any ‘directionality’ or unity to contrast throughout grammar as a whole. It is suggested that there is, and that English and German can serve as a case study for a more general typology of languages than we now have. This volume will be of interest to a wide range of linguists, including students of Germanic languages; language typologists; generative grammarians attempting to ‘fix the parameters’ on language variation;’ historical linguists; and applied linguists.

While most every county has a county history which was a life-long labor of love for someone and is generally of little interest beyond inhabitants of the county, Edgefield County, SC is unique for several reasons: 1. It was the end of the Great Wagon Road which stretched from New England all the way down the east coast. 2. Edgefield District once comprised much of the upstate of South Carolina. Augusta, GA at the navigable head of the Savannah River became the major trading post for the Indians and later the corridor for shipping products to market through Savannah. 3. Edgefield has played a key part in the politics of South Carolina and indeed for the entire country. From the earliest times before the Civil War, James Henry Hammond's "Cotton is King" set the narrative for much that followed leading up to Secession. Sen. Strom Thurmond dominated the political scene for most of the 20th Century. Edgefield County boasts 8 governors and 6 senators.