Search

Say "body modifications" and most people think of tattoos and piercings. They associate these mainly with the urban primitives of the 1980s to today and with primitive tribes. In fact, as this fascinating book shows, body mods have been on the scene since ancient times, traceable as far back as 1.5 million years, and they also encompass sacrification, branding, and implants. Professor John Rush outlines the processes and procedures of these radical physical alterations, showing their function as rites of passage, group identifiers, and mechanisms of social control. He explores the use of pain for spiritual purposes, such as purging sin and guilt, and examines the phenomenon of accidental cuts and punctures as individual events with sometimes profound implications for group survival. Spiritual Tattoo finds a remarkable consistency in body modifications from prehistory to the present, suggesting the importance of the body as a sacred geography from both social and psychological points of view.

"On every continent, in every nation, God is at work in and through the lives of believers. From the streets of Amsterdam to remote Pacific islands to the jungles of Ecuador and beyond, each international adventure that emerges is a dramatic episode that could be directed only by the hand of God. A converted atheist on a medical mission may be the mysterious messenger predicted by the prophecies of a Pacific cult and the key to reaching an island with the gospel.

On a 2001 trip to the cathedrals of Europe, anthropologist John Rush and his wife entered St. Mark’s Basilica in Venice and encountered a mosaic depicting Jesus surrounded by mushrooms with an Amanita muscaria cap in his hand. Examining the space with new eyes, they discovered images of mushrooms and mind-altering plants all over the Basilica. Intrigued, Dr. Rush spent seven years researching and reflecting on the profound effects hallucinogens had on the founding of all three major Western religions. He concluded that Judaism, Christianity, and Islam are political constructions evolving out of the use of not only Amanita muscaria, but a plethora of mind-altering substances.Failed God: Fractured Myth in a Fragile World re-examines the scriptural stories of Judaism, Christianity, and Islam as told in the Bible and Qur’an and reveals them as “concocted mythical charters stemming from drug-induced romps with the super-natural.” Rush shows how mind-altering substances played an instrumental role in the birth and development of Western religions and explains how they contributed to reports of “prophetic” experiences, including angry and disturbing messages from the divine. With chapters on Judaism, Christianity, and Islam, Rush fully addresses the effects of mind-altering substances on each tradition, convincingly discrediting the idea that they stem from actual human interaction with the divine. He also shows how an intoxicated and over-zealous Apostle Paul corrupted Jesus’s simple message of human decency, forming an oppressive religious system based on fear. In a thought-provoking conclusion, Rush asks how we can continue to attribute authority to traditions that were so clearly irrationally founded and incompatible with today’s world.

In The Twelve Gates, clinical anthropologist John Rush embarks on a spellbinding journey through death rituals in various cultures, centering on the ancient Egyptian philosophy of death and resurrection. The first part of the book provides an overview of different rituals, encouraging readers to confront their feelings about death and to reevaluate their lives. The author details his own experiences preparing for death, including a painful tattooing process inspired by the ancient Egyptian Books of the Netherworld. He then guides readers through the Twelve Gates of the Underworld, symbolic ritual stages during which they can figuratively experience death and rebirth. A set of full-color tarot cards, designed by the author, is included as an aid in passing through each of the Gates. These ancient rituals, performed by pharaohs and priests for thousands of years, help ease the way toward a peaceful, conscious death.

In The Mushroom in Christian Art, author John A. Rush uses an artistic motif to define the nature of Christian art, establish the identity of Jesus, and expose the motive for his murder. Covering Christian art from 200 CE (common era) to the present, the author reveals that Jesus, the Teacher of Righteousness mentioned in the Dead Sea Scrolls, is a personification of the Holy Mushroom, Amanita muscaria. The mushroom, Rush argues, symbolizes numerous mind-altering substances—psychoactive mushrooms, cannabis, henbane, and mandrake—used by the early, more experimentally minded Christian sects. Drawing on primary historical sources, Rush traces the history—and face—of Jesus as being constructed and codified only after 325 CE. The author relates Jesus’s life to a mushroom typology, discovering its presence, disguised, in early Christian art. In the process, he reveals the ritual nature of the original Christian cults, rites, and rituals, including mushroom use. The book authoritatively uncovers Jesus’s message of peace, love, and spiritual growth and proposes his murder as a conspiracy by powerful reactionary forces who would replace that message with the oppressive religious-political system that endures to this day. Rush’s use of the mushroom motif as a springboard for challenging mainstream views of Western religious history is both provocative and persuasive. The package includes a link to 252 striking color images depicting Christian art, with key motifs indicated by the author.