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A TIME MUST-READ BOOK OF THE YEAR • From the acclaimed novelist (“A virtuoso”—Donna Seaman, Booklist), a deft, shocking memoir that asks whether we can judge past behavior by today’s moral codes, as the author reevaluates her decades-long marriage to the forty-seven-year-old man she met when she was seventeen, revisiting a singular passion in the 21st-century aftermath of #MeToo. “Few writers can tackle the bedroom—or female libido . . . but Ciment is a master: in exquisitely spare prose, she nails it.” — The New York Times In this unflinching account of the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was a teenager and he was married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1996 memoir on the subject, Half a Life. She asks herself if she told the whole truth back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love, when no one asked who was served by the permissibility around a May-December romance. In the light of #metoo, with new understanding about the balance of power between an older man and an underage girl, Ciment re-explores the erotic wild ride and intellectual flowering that shaped an improbable but blissful marriage that lasted for forty-five years, until her husband’s death at ninety-three. This riveting book about art, memory, and morality asks many questions along the way: Does a story’s ending excuse its beginning? Does a kiss in one moment mean something else entirely five decades later? Can a love that starts with such an asymmetrical balance of power ever right itself? Suffused with the wisdom that comes with time, Consent is an author’s brave recasting of her life’s settled narrative, and an urgent read for women of all ages.

Jill Ciment weaves an unforgettable tale of survival, compassion, and courage, in this haunting recollection of a child surrounded by confusion and madness, and her struggle to find an identity. Half a Life traces Jill Ciment's family from Toronto to the California desert—a landscape and culture so alien to her father that the last vestiges of sanity leave him. As madness engulfs him he becomes increasingly brutal and the family, grasping at survival, throws him out the door. Having no understanding that he has done anything wrong, he first lives in his car at the end of the driveway, waiting to be invited back in, before exiting completely from their lives. Poor and fatherless, Ciment spends the years from age fourteen to seventeen, as a gang girl, a professional forger, a stripper, a corporate spy, and finally, a high school dropout who by age eighteen has seduced her art teacher, a man nearly three decades her senior and bluffed her way into college in an effort to shape a future. Ciment is cutting, insightful and clearly unapologetic as she details the confusion and bravado of a child heroine whose dreams and tenacity allow her finally, to create the life she has been so desperately seeking.

Middle-class Jewish suburbs to the fringe desert communities of Los Angeles, a landscape and culture so alien that their father loses the last vestiges of his sanity. Terrified and broke, he brutalizes his wife and children. When the family finally throws him out, he lives for weeks in his car at the foot of their driveway. Ms. Ciment turns herself into a girl for whom a father is unnecessary - a tough girl who will survive any way she can. She becomes a gang girl, a.

In 1970, Sara Ehrenreich boards a small plane and returns to New York City with much fanfare; she will be featured in Life magazine. She has not left Ta'un'uu–the South Seas island upon which she and her husband, Philip, were marooned during a storm–in more than thirty years. Sara doesn’t know that man has landed on the moon. She has never seen a ballpoint pen. Her body is covered, head to toe, in tattoos. Flashback: it’s 1918 and Sara, a shop girl and aspiring artist, meets Philip, a wealthy member of the avant-garde elite. The two fall in love, marry, and collaborate to make art, surrounded by socialites and revolutionaries–until the Depression cripples not just Sara and Philip, but most of their patrons. When Philip is offered a job gathering masks from the South Seas, they jump at a chance to escape America’s sorrows, traveling to Ta’un’uu for what they think will be a week’s stay. The rest is history–a history Sara records on her skin through the traditional tattoos that become her masterpiece and provide an accounting of her days. Narrated in vivid and starkly moving prose, The Tattoo Artist reminds us of the unforeseeable forces that shape each human life.

Jill Ciment’s books have been hailed as “stunning,” “powerful,” and “provocative.” Alice Sebold has called her works “beautifully written.” Now the author of Heroic Measures (“Smart and funny and completely surprising . . . I loved every page.” —Ann Patchett; “Brave, generous, nearly perfect.” —Los Angeles Times) has given us a contemporary noir novel that starts out a comedy of errors and turns darker at every hairpin turn. It’s the summer of 2015, Brooklyn. The city is sweltering from another record-breaking heat wave, this one accompanied by biblical rains. Edith, a recently retired legal librarian, and her identical twin sister, Kat, a feckless romantic who’s mistaken her own eccentricity for originality, discover something ominous in their hall closet: it seems to be phosphorescent, it’s a mushroom . . . and it’s sprouting from their wall. Upstairs, their landlady, Vida Cebu, a Shakespearian actress far more famous for her TV commercials for Ziberax (the first female sexual enhancement pill) than for her stage work, discovers that a petite Russian girl, a runaway au pair, has been secretly living in her guest room closet. When the police arrest the intruder, they find a second mushroom, also glowing, under the intruder’s bedding. Soon the HAZMAT squad arrives, and the four women are forced to evacuate the contaminated row house with only the clothes on their backs. As the mold infestation spreads from row house to high-rise, and frightened, bewildered New Yorkers wait out this plague (is it an act of God?) on their city and property, the four women become caught up in a centrifugal nightmare. Part horror story, part screwball comedy, Jill Ciment’s brilliant suspense novel looks at what happens when our lives—so seemingly set and ordered yet so precariously balanced—break down in the wake of calamity. It is, as well, a novel about love (familial and profound) and how it can appear from the most unlikely circumstances.

An unlikely, utterly beguiling love story, by the author of the highly praised Small Claims. Gloria is a modern-day "snake-oil" saleswoman, a quixotic entrepreneur who sells everything from metal detectors to aphrodisiac perfumes but whose real stock in trade is hope. She and her teenage daughter, Kim, move from town to town, until Kim falls in love with a widower 30 years her senior.

*** NEW YORK TIMES 100 NOTABLE BOOKS OF THE YEAR *** From the author of Heroic Measures (“Smart and funny and completely surprising . . . I loved every page” —Ann Patchett), Act of God (“A feat of literary magic”—Booklist) and, with Amy Hempel, The Hand That Feeds You (“An unnerving, elegant page-turner” —Vanity Fair), a spare, masterful novel. The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother. Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . . After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.

The basis for the major motion picture 5 Flights Up starring Diane Keaton and Morgan Freeman. New York City is on high alert—a gasoline truck is “stuck” in the Midtown tunnel and the driver has fled. Through panic and gridlock, Alex and Ruth must transport their beloved old dachshund—whose back legs are suddenly paralyzed—to the animal hospital, using a cutting board as a stretcher. But this is also the weekend when Alex and Ruth must sell the apartment in which they have lived for most of their adult lives. Over the course of forty-eight hours, as the mystery of the missing truck driver terrorizes the city and the dachshund’s life hangs in the balance, the bidding war over their apartment becomes a barometer for collective hope and despair. Told in shifting points of view—Alex’s, Ruth’s, and the little dog’s—Heroic Measures is a moving, deft novel about urban anxiety and the love that deepens over years.

Jill Ciment's books have been hailed as "stunning," "powerful," and "provocative." Alice Sebold has called her works "beautifully written." Now the author of Heroic Measures ("Smart and funny and completely surprising ... I loved every page."?Ann Patchett; "Brave, generous, nearly perfect."? Los Angeles Times) has given us a contemporary noir novel that starts out a comedy of errors and turns darker at every hairpin turn. It's the summer of 2015, Brooklyn. The city is sweltering from another record-breaking heat wave, this one accompanied by biblical rains. Edith, a recently retired legal librarian, and her identical twin sister, Kat, a feckless romantic who's mistaken her own eccentricity for originality, discover something ominous in their hall closet: it seems to be phosphorescent, it's a mushroom ... and it's sprouting from their wall. Upstairs, their landlady, Vida Cebu, a Shakespearian actress far more famous for her TV commercials for Ziberax (the first female sexual enhancement pill) than for her stage work, discovers that a petite Russian girl, a runaway au pair, has been secretly living in her guest room closet. When the police arrest the intruder, they find a second mushroom, also glowing, under the intruder's bedding. Soon the HAZMAT squad arrives, and the four women are forced to evacuate the contaminated row house with only the clothes on their backs. As the mold infestation spreads from row house to high-rise, and frightened, bewildered New Yorkers wait out this plague (is it an act of God?) on their city and property, the four women become caught up in a centrifugal nightmare. Part horror story, part screwball comedy, Jill Ciment's brilliant suspense novel looks at what happens when our lives?so seemingly set and ordered yet so precariously balanced?break down in the wake of calamity. It is, as well, a novel about love (familial and profound) and how it can appear from the most unlikely circumstances. From the Hardcover edition.

The author of the critically hailed "Half a Life" steps boldly into world-class literary territory with this tightly structured yet richly expansive literary thriller that will call to mind the work of Graham Greene and Paul Bowles's "The Sheltering Sky." Thomas, a renowned American anthropologist, his much younger wife Helene, and Finster, a young, culturally shipwrecked AMR (American mercantile riffraff), as he's known locally, enact a tense personal drama of love and tragedy against the much larger historical drama of the Melanesian island of Vanduu, a steaming crucible where East and West, fundamentalist piety and free market fire, decay and sterility augur the future of the world. Helene has lured Thomas to Vanduu in the desperate hope that its tropical splendor can miraculously heal the fracture that has cleaved their lives: Thomas's health is failing, and Helene simply can't accept that she might lose him. Unable to cope with the gulf of loneliness that his illness has opened between them, Helene finds herself growing more and more desperate as they tour this lush, clamorous paradise that turns out to be no paradise at all. And then Finster appears--young, louche, popping up everywhere Thomas and Helene happen to be, dogging Helene like a lovesick puppy. When a tragic mishap caused by their dance of three accidentally takes the life of a Vanduuan child, Helene, separated from both men, becomes a fugitive left to fend for herself on this troubled, surreal, inexplicably foreign speck of land in the middle of the Pacific Ocean. With a distilled emotional power and prose so tactile you can feel the eroticism and heat on every page, this riveting tale enacts large themes--the inevitable consequences of the hegemony of the American dream, the inexorable loss of a deep, adult love compared to the hopped-up sex-for-sale enticements Finster offers in its place, and a glimpse into what progress, with its spiraling allurements, has truly forfeited."