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Contemporary Feminist Life-Writing is the first volume to identify and analyse the 'new audacity' of recent feminist writings from life. Characterised by boldness in both style and content, willingness to explore difficult and disturbing experiences, the refusal of victimhood, and a lack of respect for traditional genre boundaries, new audacity writing takes risks with its author's and others' reputations, and even, on occasion, with the law. This book offers an examination and critical assessment of new audacity in works by Katherine Angel, Alison Bechdel, Marie Calloway, Virginie Despentes, Tracey Emin, Sheila Heti, Juliet Jacques, Chris Krauss, Jana Leo, Maggie Nelson, Vanessa Place, Paul Preciado, and Kate Zambreno. It analyses how they write about women's self-authorship, trans experiences, struggles with mental illness, sexual violence and rape, and the desire for sexual submission. It engages with recent feminist and gender scholarship, providing discussions of vulnerability, victimhood, authenticity, trauma, and affect.

A member of the art history generation from the golden age of the 1920s and 1930s, Millard Meiss (1904–1975) developed a new and multi-faceted methodological approach. This book lays the foundation for a reassessment of this key figure in post-war American and international art history. The book analyses his work alongside that of contemporary art historians, considering both those who influenced him and those who were receptive to his research. Jennifer Cooke uses extensive archival material to give Meiss the critical consideration that his extensive and important art historical, restoration and conservation work deserves. This book will be of interest to scholars in art history, historiography and heritage management and conservation.

At 10.42 a.m. on 22 October 2003, while diving on the wreck of the SS Yongala on the Great Barrier Reef, an American tourist photographed his new wife for their honeymoon album. Instead the photo would become a vital police exhibit. On the right-hand side of the shot, Tina Watson's body lay 27 metres down on the ocean floor, one arm outstretched, reaching upwards. This is the photograph that shocked millions across Australia and the US. How could a healthy young woman have died, a mere seven minutes into her dive, when Gabe Watson, her buddy and husband of only eleven days, was a certified rescue diver? And why did he later relay sixteen different versions of what happened that day to other divers, police, friends and family? Did he cold-bloodedly shut off her air or did he panic after claiming her flailing arms dislodged his mask and regulator? When he ascended to the surface, was it to get help or to callously abandon his bride to her ultimate fate? These remain the captivating questions at the heart of this true-life thriller. Researched across two continents, Honeymoon Dive is in turns disturbing and enthralling as it painstakingly reconstructs events behind one of Australia's most darkly fascinating tragedies.

Scenes of Intimacy analyzes the representation of acts and relationships of intimacy in contemporary literature, the affect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory. Opening with an in-depth interview with literary critic, Derridean, and novelist Professor Nicholas Royle, the volume contains eleven further essays that move from intimate scenes of familial and pedagogic legacy, on to representations of love, of sex, and finally to scenes of death and dying. The essays are textually attentive to how lit.

Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.

Based on the author's thesis (doctoral)--University of North Carolina at Chapel HIll, 2003.

God desires His people to have the knowledge and skill to confidently contend for the faith - to see people who have adopted other beliefs as reachable with the gospel of Jesus Christ. The problem is, God's people often avoid the fight for faith, or feel ill-equipped to deliver a message of freedom to the lost stuck in these lies. Some Christians are themselves held in bondage to false beliefs. The good news is, you can learn how to rightly divide your own faith and help others who are captive! Through this Bible study, author Jennifer Cooke uncovers the lies of modern-day idols, cults and other world religions and teaches you the exact points to address your own doubts, answer critics, and deliver biblical answers to false doctrines. Through her direct, in-depth and personal manner, you will learn: - Generational parallels between Judges and ourselves - How to obey God in the face of competing interests - Conditional promises we stand to inherit, and how to fulfill God's conditions to reach those held captive by false beliefs - How to identify wrong social norms and explain God's design - The history behind major cults and major world religions, their false beliefs, and exactly what truth to respond with Join the Lord on the journey not just to unadulterated agreement with His message; but to tear down our generation's false idols and religions against His message. Jennifer Cooke is a Bible teacher who has been teaching the Word of God since God called her in 2005. She leads an online, cross-denominational ministry dedicated to the Lord, so that through the Word, His servants will absolutely, positively know the gospel of Christ and be thoroughly equipped for every good work. Jennifer Cooke Ministries. Online address: jennifercooke.org/.

During the last decade, sub-Saharan Africa enjoyed unprecedented rates of economic growth, with new technologies, better governance, and increasing investment flows creating new opportunities for innovation and economic and human development. Yet across the continent, vulnerable populations continue to contend with recurrent crises and stresses that leave them in a cycle of fragility and risk, struggling to recover and unable to expand economic opportunities or to improve well-being. This report examines resilience from the perspective of vulnerable communities across Africa and identifies the most promising entry points for innovations that can increase resilience capacity.

Radical reconfigurations in gardening practice in sixteenth- and seventeenth-century England altered the social function of the garden, offering men and women new opportunities for social mobility. While recent work has addressed how middle class men used the garden to attain this mobility, the gendering of the garden during the period has gone largely unexamined. This new study focuses on the developing gendered tension in gardening that stemmed from a shift from the garden as a means of feeding a family, to the garden as an aesthetic object imbued with status. The first part of the book focuses on how practical gardening books proposed methods for planting as they simultaneously represented gardens increasingly hierarchized by gender. The second part of the book looks at how men and women appropriated aesthetic uses of actual gardening in their poetry, and reveals a parallel gendered tension there. Munroe analyzes garden representations in the writings of such manuals writers as Gervase Markham, Thomas Hill, and William Lawson, and such poets as Edmund Spenser, Aemilia Lanyer and Lady Mary Wroth. Investigating gardens, gender and writing, Jennifer Munroe considers not only published literary representations of gardens, but also actual garden landscapes and unpublished evidence of everyday gardening practice. She de-prioritizes the text as a primary means of cultural production, showing instead the relationship between what men and women might imagine possible and represent in their writing, and everyday spatial practices and the spaces men and women occupied and made. In so doing, she also broadens our outlook on whom we can identify and value as producers of early modern social space.

The Speckled Monster tells the dramatic story of two parents who dared to fight back against smallpox. After barely surviving the agony of smallpox themselves, they flouted eighteenth-century medicine by borrowing folk knowledge from African slaves and Eastern women in frantic bids to protect their children. From their heroic struggles stems the modern science of immunology as well as the vaccinations that remain our only hope should the disease ever be unleashed again. Jennifer Lee Carrell transports readers back to the early eighteenth century to tell the tales of Lady Mary Wortley Montagu and Dr. Zabdiel Boylston, two iconoclastic figures who helped save London and Boston from the deadliest disease mankind has known.