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Military defeat, political and civil turmoil, and a growing unrest between Catholic traditionalists and increasingly secular Republicans formed the basis of a deep-seated identity crisis in Third Republic France. Beginning in the early 1880s, Republican politicians introduced increasingly secularizing legislation to the parliamentary floor that included, but was not limited to, the secularization of the French educational system. As the divide between Church and State widened on the political stage, more and more composers began writing religious--even liturgical--music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions. This trend coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike. Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic. In doing so, the book dismantles the somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, author Jennifer Walker reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance in an effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church.

Living Standards Measurement Study No. 115. Estimates the incidence, characteristics, and patterns of change over time of illiteracy in Morocco. Improving the quality of information on literacy and understanding its relationship to important

The first complete history of US industry's most influential and controversial lobbyist Founded in 1895, the National Association of Manufacturers—NAM—helped make manufacturing the basis of the US economy and a major source of jobs in the twentieth century. The Industrialists traces the history of the advocacy group from its origins to today, examining its role in shaping modern capitalism, while also highlighting the many tensions and contradictions within the organization that sometimes hampered its mission. In this compelling book, Jennifer Delton argues that NAM—an organization best known for fighting unions, promoting "free enterprise," and defending corporate interests—was also surprisingly progressive. She shows how it encouraged companies to adopt innovations such as safety standards, workers' comp, and affirmative action, and worked with the US government and international organizations to promote the free exchange of goods and services across national borders. While NAM's modernizing and globalizing activities helped to make American industry the most profitable and productive in the world by midcentury, they also eventually led to deindustrialization, plant closings, and the decline of manufacturing jobs. Taking readers from the Progressive Era and the New Deal to the Reagan Revolution and the Trump presidency, The Industrialists is the story of a powerful organization that fought US manufacturing's political battles, created its economic infrastructure, and expanded its global markets—only to contribute to the widespread collapse of US manufacturing by the close of the twentieth century.

Giacomo Meyerbeer (1791–1864) was the most successful composer of grand operas in nineteenth-century Paris, whose music continued to be frequently performed worldwide into the following century. Today, recent scholars acknowledge his stature but his operas have become stage rarities. There is normally a gap on shelves in libraries and bookshops between Mendelssohn and Mozart (Messaien and Monteverdi for the better resourced). There is no biography or broad evaluation of Meyerbeer in print in English. This study of the vicissitudes of Meyerbeer’s reputation complements introductions to his works and the volumes of academic essays in English and other European languages. While reputation forming has recently offered several interesting studies, it is rare for a composer to be the subject. This volume will be of interest primarily to opera enthusiasts, and to libraries and musicologists worldwide.

In New York Times–bestselling author Jennifer Wilde’s sensually riveting historical romance, a young lady betrayed by her first love scandalizes society by becoming one of the world’s most celebrated dancers and desirable women When dashing soldier and diplomat Brence Stephens rescues Mary Ellen Lawrence from a band of ruffians on the Cornish moors, a rare passion is ignited in their hearts. Yet when she needs him most, Brence abandons her. With the wild blood of her gypsy father running through her veins, Mary Ellen vows to someday pay him back as she travels to London, where she is determined to become the greatest ballerina in Europe. It’s a promise she won’t keep. She possesses something rarer than talent: star quality. Reborn as the fiery Elena Lopez, Mary Ellen dazzles the most powerful and celebrated men with her sultry performances. From princes to heads of state, her conquests include amorous composer Franz Liszt and Parisian literary lion Alexandre Dumas. But even as destiny carries her from the capitals of Europe to California’s golden hills, Mary Ellen knows that only one man, the elusive, darkly compelling Brence, can satisfy the wild longings in her heart.

In the Early Modern period - as both reformed and Catholic churches strove to articulate orthodox belief and conduct through texts, sermons, rituals, and images - communities grappled frequently with the connection between sacred space and behavior. The Sacralization of Space and Behavior in the Early Modern World explores individual and community involvement in the approbation, reconfiguration and regulation of sacred spaces and the behavior (both animal and human) within them. The individual’s understanding of sacred space, and consequently the behavior appropriate within it, depended on local need, group dynamics, and the dissemination of normative expectations. While these expectations were defined in a growing body of confessionalizing literature, locally and internationally traditional clerical authorities found their decisions contested, circumvented, or elaborated in order to make room for other stakeholders’ activities and needs. To clearly reveal the efforts of early modern groups to negotiate authority and the transformation of behavior with sacred space, this collection presents examples that allow the deconstruction of these tensions and the exploration of the resulting campaigns within sacred space. Based on new archival research the eleven chapters in this collection examine diverse aspects of the campaigns to transform Christian behavior within a variety of types of sacred space and through a spectrum of media. These essays give voice to the arguments, exhortations, and accusations that surrounded the activities taking place in early modern sacred space and reveal much about how people made sense of these transformations.

Between the Great War and Pearl Harbor, conservative labor leaders declared themselves America's "first line of defense" against Communism. In this surprising account, Jennifer Luff shows how the American Federation of Labor fanned popular anticommunism b

Jennifer Church presents a new account of perception, which shows how imagining alternative perspectives and possibilities plays a key role in creating and validating experiences of self-evident objectivity. She explores the nature of moral perception and aesthetic perception, and argues that perception can be both literal and substantive.

Furio, a prison-reform activist, mixes true-crime chills with sociological analysis and excerpts from her correspondence with death- row inmates to shed light on the phenomenon of team killers. These are couples or groups in which a leader, usually a man, manipulates a weaker partner, frequently a w