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Feminist liturgy is not esoteric nor weird nor for women only. Rather it is liturgy that has been shaped by women and some men who recognized that something was missing in the worship of our synagogues and churches. And not only was something missing, but at times what was expressed was not true, especially for women and other marginalized people. Feminist liturgies began when women and a few men asked themselves what would be true, what would be just. The answers were not found in discussions about liturgy but rather in trying to use symbols, texts, and forms that expressed relationships with God, one another, all created life, more accurately and more authentically. This book traces the story of feminist liturgy: how, when, and why it began; the principles that guide it; what it looks like; and what its future may be.

A Few Acres of Ice is an in-depth study of France's complex relationship with the Antarctic, from the search for Terra Australis by French navigators in the sixteenth century to France's role today as one of seven states laying claim to part of the white continent. Janet Martin-Nielsen focuses on environment, sovereignty, and science to reveal not only the political, commercial, and religious challenges of exploration but also the interaction between environmental concerns in polar regions and the geopolitical realities of the twenty-first century. Martin-Nielsen details how France has worked (and at times not worked) to perform sovereignty in Terre Adélie, from the territory's integration into France's colonial empire to France's integral role in making the environment matter in Antarctic politics. As a result, A Few Acres of Ice sheds light on how Terre Adeìlie has altered human perceptions and been constructed by human agency since (and even before) its discovery.

Reveals how babies shaped modern American life, including the rise of the medical authority, consumerism, social welfare, and popular psychology.

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

" Winner of the SAMLA 2001 Book Award Hagar, the Old Testament Egyptian heroine who bore Abraham's son at the behest of Sarah, was traditionally regarded as an African. Yet the literature and paintings of the nineteenth century depicted Hagar as white. During this period, she became a popular subject for writers and artists, with at least thirteen novels published between 1850 and 1913 taking Hagar as their theme. Dreaming Black/Writing White examines how, for white feminists, Hagar became a liberating symbol to empower their own rebellion against patriarchal restrictions. Hagar's understood blackness allowed her to represent a combination of sexual passion and artistic creativity that empowered women in the process of taking on male roles of economic power in American society. Because of Hagar's ethnic complexity, she stands as an ironically positive figure at the center of several southern proslavery women's novels such as The Deserted Wife, Hagar the Martyr, and The Modern Hagar. Through the persona of Hagar, women novelists felt free to create heroines whose suggestive blackness allowed readers to imagine themselves in rebellion against a restrictive patriarchy, but whose recoverable whiteness provided a safety hatch through which blackness could be disavowed. By exploring these complex and often contradictory depictions, Janet Gabler-Hover contends that the figure of Hagar is central to the canonized romance of nineteenth-century New England literature. The book also affirms Toni Morrison's claim that blackness--indeed black womanness--lies at the heart of the white literary imagination in America.

A compendium of useful information on the fifty states, including facts about Puerto Rico and Washington, D.C.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.