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Exposición homenaje a Julio González que muestra todos los fondos que el IVAM custodia del escultor.

This is the first exhibition dedicated to this artist, born in Munich in 1965, not only in Spain but in a museum anywhere in the world. Wenzel Ziersch does not draw: he writes the surfaces of his paintings. In his tiny writing, the shades and hues little by little form shapes in his paintings. Drawing with writing, he meticulously and carefully repeats fragments of texts over and over again, formerly items taken from newspapers and now passages from the Bible, on paper, canvas, mirrors or panes of glass to form almost monochrome surfaces where blacks, greys and whites gently blend. The titles of some of his series are suggestive, for example, The Word was Painting or Inscriptions. In them he painstakingly and with almost monkish perseverance transcribes passages of the book of Corinthians. Using a fine pencil or a steel burin, which he "bandages" to protect his hands, he writes, or scrapes on glass, the same sentence over and over again until the whole surface of the painting is covered by a text impossible to read. The exhibition held at the IVAM will include a selection of twenty works on different media (glass, paper, wood) made in pencil, felt pen, ink.

This handsome catalog of an exhibition organized by the IndianapolisMuseum of Art and the Instituto Valenciano de Arte Moderno in Spain celebrates thepost-minimalist works of contemporary artist Richard Tuttle.

Exposición homenaje a Julio González que muestra todos los fondos que el IVAM custodia del escultor.

Esta exposición reflejará a partir de las instalaciones que integran la colección permanente del IVAM las diversas maneras de entender el espacio y la participación del público en la creación visual contemporánea.

Fotografías pertenecientes a la colección del IVAM que muestran la mirada de distintos fotógrafos sobre la naturaleza, a lo largo de más de un siglo.