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Principles of Biostatistics, Third Edition is a concepts-based introduction to statistical procedures that prepares public health, medical, and life sciences students to conduct and evaluate research. With an engaging writing style and helpful graphics, the emphasis is on concepts over formulas or rote memorization. Throughout the book, the authors use practical, interesting examples with real data to bring the material to life. Thoroughly revised and updated, this third edition includes a new chapter introducing the basic principles of Study Design, as well as new sections on sample size calculations for two-sample tests on means and proportions, the Kruskal-Wallis test, and the Cox proportional hazards model. Key Features: Includes a new chapter on the basic principles of study design. Additional review exercises have been added to each chapter. Datasets and Stata and R code are available on the book’s website. The book is divided into three parts. The first five chapters deal with collections of numbers and ways in which to summarize, explore, and explain them. The next two chapters focus on probability and introduce the tools needed for the subsequent investigation of uncertainty. It is only in the eighth chapter and thereafter that the authors distinguish between populations and samples and begin to investigate the inherent variability introduced by sampling, thus progressing to inference. Postponing the slightly more difficult concepts until a solid foundation has been established makes it easier for the reader to comprehend them.

Truckie Needed Mattie has bought a tiny house, intending to drive it across the country to land she's bought interstate. But Mattie doesn't take into account the fact that the tiny house is on the back of a truck, and she doesn't have her truck license. What to do? An ad in the local pub brings Ned and Jack into her life - two very eager and sexy young men who've been travelling around Australia and are more than happy to drive Mattie and her tiny house across the continent. They might be leaving Western Australia's deserts behind and heading to the chilly island state of Tasmania, where even in spring there is still snow on the mountains, but inside the tiny house, things are only heating up. PUBLISHER NOTE: Ménage à trois, M/F/M, Interracial. Anal sex, threesomes, oral sex. 34,400 words.

Between the 1880s and the 1940s, opportunities for southern white women writers increased dramatically, bolstered by readers’ demands for southern stories in northern periodicals. Confined by magazine requirements and social expectations, writers often relied on regional settings and tropes to attract publishers and readers before publishing work in a collection. Selecting and ordering magazine stories for these collections was not arbitrary or dictated by editors, despite a male-dominated publishing industry. Instead, it allowed writers to privilege stories, or to contextualize a story by its proximity to other tales, as a form of social commentary. For Kate Chopin, Ellen Glasgow, Marjorie Kinnan Rawlings, and Katherine Anne Porter—the authors featured in this book—publishing a volume of stories enabled them to construct a narrative framework of their own. Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers is as much about how stories are constructed as how they are told. The book examines correspondence, manuscripts, periodicals, and first editions of collections. Each collection’s textual history serves as a case study for changes in the periodical marketplace and demonstrates how writers negotiated this marketplace to publish stories and garner readership. The book also includes four tables, featuring collected stories’ arrangements and publication histories, and twenty-five illustrations, featuring periodical publications, unpublished letters, and manuscript fragments obtained from nine on-site and digital archives. Short story collections guide readers through a spatial experience, in which both individual stories and the ordering of those stories become a framework for interpreting meaning. Arranging Stories invites readings that complicate how we engage collected works.

The community of Bluff Park is home to a variety of residents, ranging from retirees to working families. Historically speaking, Bluff Park was first developed as a mountain resort and summer vacation site. Gardner Cole Hale bought the mountain property in the 1860s and called it Hale Springs. One of the first recorded uses of the name Bluff Park was with the Bluff Park Hotel, built in 1907. After its resort days, the area became more residential. Several of the founding families in Bluff Park settled on the mountain, building homes and farms. One such family, the Hales, ran a lumber mill, a cotton gin, and an icehouse. The Tyler family ran a large dairy farm after they moved to the area around 1888. The community school started around 1899 as a one-room schoolhouse and church, and Bluff Park Elementary is now one of the top elementary schools in the city of Hoover.

The literary tradition begun by Zora Neale Hurston in the 1930s has since flourished and taken new directions with a diverse body of fiction by more contemporary African-American women writers. This book examines the treatment of domestic violence in Hurston's Their Eyes Were Watching God, Gayl Jones's Corregidora, Gloria Naylor's The Women of Brewster Place and Linden Hills, Alice Walker's The Color Purple, Toni Morrison's The Bluest Eye and Love, Terry McMillan's Mama and A Day Late and a Dollar Short, and Octavia Butler's Seed to Harvest. These novels have given voice to oppressed and abused women. The aims of this work are threefold: to examine how female African American novelists portray domestic abuse; to outline how literary depictions of domestic violence are responsive to cultural and historical forces; and to explore the literary tradition of novels that deal with domestic abuse within the African American community.

Recently retired Colleen Hill is always busy, constantly on a quest to make life more interesting.