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Revista Volume 1, no 2 - Dezembro de 2021. ISSN: ------- Curitiba/PR - Brasil Expediente Publicação: Semestral Idioma: Português Distribuição: Gratuita online em pdf Conselho editorial: Andreia Moema, Belise Campos, Jéssica Iancoski, Monique Sandrielly Editora-Chefe: Jéssica Iancoski Diagramação: Monique Sandrielly Revisão: Textos foram revisados pelos autores, não houve nenhuma modificação por parte da revista. Capa Fotografia: Reginaldo [L] Cardoso Capista: Jessica Iancoski Contato: tomaaiumpoema@gmail.com Instagram: @TomaAiUmPoema *Algumas funcionalidades não estão disponíveis em PDF Direitos Autorais Fair Use. Os textos e imagens publicados podem ser reproduzidos, desde que sejam preservados os nomes de seus respectivos autores e a fonte. A utilização não deve ter fins lucrativos. A responsabilidade pelo conteúdo é exclusiva de seus autores. Editorial Quisemos, com esta edição, criar uma revista 100% digital e interativa. Buscamos produções que já tivessem sido publicadas ou postadas em outros endereços eletrônicos. Logo, não há nenhum material inédito nesta revista. Clique nos ícones das páginas e descubra. Navegue .A ideia foi criar um emaranhado de links conectados pela arte e pela literatura, tentando sondar a ideia de que o ineditismo, em veículos não-canônicos, talvez, seja uma vaidade editorial, somente. A poesia se faz em conjunto. A nossa linha editorial é laço. Conexão.

Nobel Prize winning author Gabriel Garcia Marquez was one of the most widely translated writers of his time, and yet there were many sides of him that English-language readers do not know. This volume includes the first-ever English translation of Marquez's final conversation, along with other rare and never-before-translated interviews from throughout his long career. Marquez discusses his varied literary work and his controversial politics, and what emerges is a richer, deeper, more intimate portrait of this great writer than we've encountered before.

“The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start . . . He’s among those rare great fiction writers whose ancillary work is almost always worth finding . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.” --Dwight Garner, The New York Times From one of the titans of twentieth-century literature, collected here for the first time: a selection of his journalism from the late 1940s to the mid-1980s--work that he considered even more important to his legacy than his universally acclaimed works of fiction. "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world."

Available in English for the first time in the U.S., a collection of the speeches of Nobel Prize-winning author Gabriel García Márquez. Throughout his life, Gabriel García Márquez spoke publicly with the same passion and energy that marked his writing. Now the wisdom and compassion of these performances are available in English for the first time. I'm Not Here to Give a Speech records key events throughout the author's life, from a farewell to his classmates delivered when he was only seventeen to his Nobel Prize acceptance speech. Written across a lifetime, these speeches chart the growth of a genius: each is a snapshot offering insights into the beliefs and ideas of a world- renowned storyteller. Preserving García Márquez's unmistakeable voice for future generations, I'm Not Here to Give a Speech is a must-have for anyone who ever fell in love with Macondo or cherished a battered copy of Love in the Time of Cholera.

AVAILABLE FOR THE FIRST TIME IN eBOOK! No writer of his time exerted the magical appeal of Gabriel García Márquez. In this long-awaited autobiography, the great Nobel laureate tells the story of his life from his birth in1927 to the moment in the 1950s when he proposed to his wife. The result is as spectacular as his finest fiction. Here is García Márquez’s shimmering evocation of his childhood home of Aracataca, the basis of the fictional Macondo. Here are the members of his ebulliently eccentric family. Here are the forces that turned him into a writer. Warm, revealing, abounding in images so vivid that we seem to be remembering them ourselves, Living to Tell the Tale is a work of enchantment.

Recounts the turbulent life of the great Simon Bolivar.

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A "poem on the solitude of power" according to the author, the novel is a flowing tract on the life of an eternal dictator. The book is divided into six sections, each retelling the same story of the infinite power held by the archetypical Caribbean tyrant. García Márquez based his fictional dictator on a variety of real-life fascists, including Gustavo Rojas Pinilla of his Colombian homeland, Generalissimo Francisco Franco of Spain (the novel was written in Barcelona), and Venezuela's Juan Vicente Gómez. The product is a universal story of the disastrous effects created by the concentration of power into a single man.