Search

This collection collects the first four issues and extras showing a behind the scenes look at the series. Wildlife explores the first half of the story told from the perspective of a new character, Chris, and his struggle to deal with a coming war, his tendency toward self-destruction, and the mysterious pseudo-patriots of 50 Blessings.

The final volume completing the spin-off comic book story based on the multi-million unit selling video games series! Catching up where we last left off, Chris continues his struggle with a coming war, his tendency towards self-destruction, and the mysterious pseudo-patriots of 50 Blessings. The narrative will take fans of the Hotline Miami games to new locales and introduce new masked figures while exploring dark and disturbing themes reminiscent of the series namesake.

Dieter committed suicide by jumping off the school roof. Niklas knew him and cannot understand the reasons for his choice, so he decided to use his powers to investigate on it. Little did he known what he was about to discover. The superhero universe by Shockdom.

The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.

Dieter se suicidou pulando do teto da escola. Niklas o conhecia e não consegue compreender as razões desta escolha, então decide começar a usar seus poderes para indagar sobre essa história: ele acabará descobrindo bem mais do que gostaria.