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At head of title: The Australian Welding Institute.

This definitive study takes as its subject a group of melodies copied many times, even within single manuscripts. Professor Randel is therefore able to base his conclusions about the relationship of the manuscript sources to one another on twenty-six separate Spanish manuscripts. He shows that there were actually four distinct traditions associated with these manuscripts instead of two as formerly assumed. By comparing the four traditions, he draws new conclusions about the relative antiquity of the written tradition for these psalm tones, the presence or absence of a modal system in the Mozarabic chant, and the development of the two general types of notation. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An index to the biographies of women musicians of all periods and countries, as found in a representative selection of dictionaries, and encyclopedias. This update also includes non-musical sources, such as general biographical sets.

Analyzes humor in literary works by British authors of the 20th century and provides extensive bibliographical information.

Allied families include Dyess, Haskins, Holloway, Holt, Marsh, Nettles, Nichols, Norton, Parham, Powell, Sorelle, Wagley, Walker.

The serious study of humor has burgeoned in the last two decades, spawning a wealth of publications touching upon an array of topics crossing national, cultural, and disciplinary lines. This research bibliography captures the vibrancy and significance of the field of humor studies while documenting its output. Organized into ten broad chapters reflecting types of humor and topics of humor research, it provides extensive bibliographies on forty-five fields of humor study, each introduced by an essay outlining trends and pointing to major findings. An appendix of humor research institutes, journals, scholars and academic programs as well as a subject and author index to the thousands of sources complete the volume. Intended largely for library use by scholars and students in humor studies, the volume's topical essays are valuable for text use in related courses; the work's extensive bibliographies will foster research in diverse fields with a focus on humor.

This definitive study takes as its subject a group of melodies copied many times, even within single manuscripts. Professor Randel is therefore able to base his conclusions about the relationship of the manuscript sources to one another on twenty-six separate Spanish manuscripts. He shows that there were actually four distinct traditions associated with these manuscripts instead of two as formerly assumed. By comparing the four traditions, he draws new conclusions about the relative antiquity of the written tradition for these psalm tones, the presence or absence of a modal system in the Mozarabic chant, and the development of the two general types of notation. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.