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Drafts, typescripts, holographs and correspondence concerning Parker's creative works, including "Building on sand", 1988, and "The mighty world of Eye : stories, anti-stories", 1990.

Andrew Burn and David Parker outline how multi-modality theory can be used to analyze texts whicj employ multiple semiotic modes and media, in such a way that a balanced consideration is given to the characteristics of each mode, how they integrate, and how they distribute textual functions between them. The medthods are rooted in a view of significance as dependent on social context, and fulfilling the social and communicative interests of both producers of textual production and use contingent upon digital formats will also be a determining content of the analytical method.

No less authority than Albert Bushnell Hart, the "Grand Old Man" of American historians, wrote the introduction to this marvelous 1912 classic. Not only was David Parker's life exciting and eventful, the man could write a memoir that holds the reader through every page. David B. Parker was only 18 years old when he enlisted in the Union cause during the American Civil War. Yet he rose quickly and found himself in the company of the greatest men of his day. Parker knew "Fighting Joe" Hooker well, General George Gordon Meade—whom he thought cold and unlikable—a little, and was fortunate as to command the high regard of General Ulysses S. Grant. This book is unique. Young Parker did his share of fighting in the Peninsular Campaign of 1862, and has recorded some striking and entertaining things about the soldiers in the trenches, but it was as a courier, marshal, and later mail postmaster that he rose to prominence.Throughout the war he developed a talent for cutting red tape. He took dispatches between Grant and Abraham Lincoln and was briefed by Grant about the Overland Campaign so that Parker could organize the smooth running of the mails during that important end-of-war campaign. In 1868, Grant appointed Parker U.S. Marshal for Virginia. He ensured seating the first African-American on a jury. He dealt with moonshiners who from 1865 to 1869 had had their own way and were sometimes defended by ex-soldiers. The tales of Parker’s experience with counterfeiters and other desperate characters would easily suit a writer of detective novels. He also relates some interesting details about his acquaintance with Frederick Douglass. Every memoir of the American Civil War provides us with another view of the catastrophe that changed the country forever. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.

The first book on the middle class in early twentieth-century Latin America to be published in English in a generation.No social class has generated more controversy than the middle class, and nowhere has that class been more controversial than in Latin America. Once believed not to exist, then later the great hope of the Alliance for Progress, the Latin American middle class is often blamed for not fulfilling the entrepreneurial, democratizing, progressive, or stabilizing role that others ascribe to it. Yet never has a class so widely discussed been so little studied and so poorly understood.David Parker meets this challenge by combining the methods of social historians with attention to language and the cultural construction of meaning as he investigates how and why white-collar workers in Peru's offices, banks, and stores began to define themselves as members of a distinct middle class. He traces the origins of this new class identity and shows the lasting impact the employees' drive forpreferential treatment had on Peruvian law, politics, and culture.This book provides a rich description of the lifestyle, values, and attitudes of this rising middle class in their never-ending quest for economic stability, respectability, and recognition in Peruvian society. Through a series of deftly drawn biographical profiles based on a variety of published and archival sources, Parker succeeds in personalizing and bringing alive his protagonists in a way that not only engages the reader but also reveals the importance of personal agency often lost in theoretically and ideologically driven studies of class.

International Valuation Standards: a guide to the valuation of real property assets is an essential road map to using the new International Valuation Standards in everyday practice for real estate assets, explains their content, application and operation. It shows how to value assets including property, plant and equipment and is written in an explanatory style using commonly understood business English with as little jargon as possible. It takes a thematic format, focusing on the application of IVSs to investment property and owner-occupied property with the author addressing valuation instruction, operation and reporting under IVSs.

Art meets Espionage in this brilliantly creative political thriller. New York artist, Lee Owens, offends the President of the Russian Federation with his scathing cartoons. Seeing the satire as a threat to his hold on power, the dictator orders the FSB, (Russia's Military Intelligence Agency), to find the artist and silence the humor. But, rather than waiting for an assassin's bullet, Lee goes on the offensive and uses his artistic talent to attack Moscow and St. Petersburg with a barrage of subversive art. "Mr. Owens, we'd like you to start a revolution." Timely, explosive, and highly entertaining, this unique Pablo Picasso-James Bond thriller tears down the Kremlin walls with America's most powerful weapon: Creativity.

David Parker offers an insider's glimpse at the coming election, where we are as a nation, how we got here and the choice before us. He provides a substantive and stark contrast between Barack Obama and Mitt Romney. Further, he shares personal insights about Governor Romney, his leadership capacity, experience and perspectives about America and what lies ahead.Believing that the mainstream media will shield the public from pertinent facts and information, Parker provides factual statements and illustrations, in summary form, that offer a compelling argument why Mitt Romney should be elected President of the United States, and how he can win in November.A brief tome, this book delivers a concise, clear and compelling depiction of America's choice in 2012. It appeals to a general population that has been solely reliant upon news outlets and the mainstream media, and who has yet to delve into the substance of the November election. The book further appeals to those who are political junkies, as it offers additional insights and perspectives from an insider's view.Most deliberately, the book is a concise and catalytic primer to inform the reader and provoke further thought and study as we face America's defining moment. Our very freedoms are at stake in the November election and the author has sought to present an argument that the reader can absorb easily and share with others. On the Brink is an easy and well-informed read. For anyone sitting on the fence about the November election, this book is a must-read.

The book is going through its biggest revolution since Gutenberg. Thanks to computer tools and electronic publication, the concept and realisation of critical editions are being rethought. As so often in the history of scholarship, editors of the New Testament are making a vital contribution to these changes. In this book, originally the Lyell Lectures in Bibliography at Oxford, David C. Parker explores textual scholarship, in particular the idea of the edition. He argues that textual scholarship has had an important influence on the meaning given to the term 'New Testament'. Starting with the observation that a text is a process, not an object, he proposes a new way of understanding the relationship between manuscripts, the texts which manuscripts contain and the work they represent as the basis for critical scholarship. This leads him to challenge the idea of a 'Greek New Testament manuscript', and thus to reconsider the nature of the New Testament as a collection of works and the nature and purpose of critical editions. By studying new tools for studying how manuscripts are related to each other, he shows how the modern digital edition of the New Testament has overcome the impasses created by the failure of Lachmannian stemmatics to deal with the problem of contamination. Exploring the emergence of the critical edition in modern scholarship, Parker discusses the ways in which a digital edition advances scholarship and gives the reader more opportunities both to scrutinise the quality of the edition and to access the raw data on which it is based. The whole book uses New Testament research as a paradigm of wider changes in textual scholarship.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author James David Parkers once thriving professional career was in a nosedive to disaster. His once-profitable investments dragged him to the precipice of financial ruin. The stress of the battle for survival wasted his will. Mental depression trashed his intellect. As a nominal, but skeptical, Christian, he asked: Can Jesus rescue me? Will Jesus deliver me from my earthly hell? And thus began his journeya search for truth. In The Fire Will Not Consume YouIsaiah 43:2b, Parker shares his progression from successful engineer to cynicism, to financial disaster and stress-induced illness, to the spirit-led process of prayer and recovery, and finally, to acknowledgement of his intimate relationship with his creator God. Each chapter in the core of the book begins with a prayer addressing a specific deficit in character or perception. The Fire Will Not Consume YouIsaiah 43:2b chronicles Parkers recovery from mental depression through introspective prayer and Bible study. He offers a guidebook to unleash the unlimited power of God to bring personal peace in prayerful communication with him.