Search

Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum’s relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however ‘modern’ their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines. Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.

Part I Policy, practice and theory in the art museum1. The post-traditional art museum in the public realm2. The politics of representation and the emergence of audience3. Tracing the practices of audience and the claims of expertisePart II Displaying the nation1. Canon-formation and the politics of representation2. Tate encounters : Britishness and visual cultures, the transcultural audience3. Reconceptualizing the subject after post-colonialism and post-structuralismPart III Hypermodernity and the art museum7. New media practices in the museum8. The distributed museum9. Museums of the future10. Post-critical museology : reassembling theory, practice and policy.

From the Barolos of Piedmont to the Brunellos of Tuscany, Italian wines offer an unparalleled range of tempting and unique choices. But how can you be sure to find the right bottle for your taste? In this completely revised and updated edition of the ever-popular pocketsize buying guide, Italian wine experts Joseph Bastianich and David Lynch show you the way. Vino Italiano Buying Guide—Revised and Updated is a carefully and lovingly considered A-to-Z listing of the best wines that Italy has to offer. In addition to profiles of more than 1,000 winemakers—with ratings, grape descriptions, and contact information for the vineyards—you’ll find: - Concrete and helpful bottle recommendations for every entry - At-a-glance symbols for rising stars, great values, and truly exceptional wineries - Coverage of noteworthy organic and biodynamic wines - Up-to-date, detailed information on everything from wine regions to wine labels and classifications. More than just a handy reference text of Italian wine producers, Vino Italiano Buying Guide—Revised and Updated is the ultimate buying guide for Italian wine lovers.

At one time, Italian wines conjured images of cheap Chianti in straw-wrapped bottles. More recently, expensive “Super Tuscans” have been the rage. But between these extremes lay a bounty of delicious, moderately priced wines that belong in every wine drinker’s repertoire. Vino Italiano is the only comprehensive and authoritative American guide to the wines of Italy. It surveys the country’s wine-producing regions; identifies key wine styles, producers, and vintages; and offers delicious regional recipes. Extensive reference materials—on Italy’s 300 growing zones, 361 authorized grape varieties, and 200 of the top producers—provide essential information for restaurateurs and wine merchants, as well as for wine enthusiasts. Beautifully illustrated as well as informative, Vino Italiano is the perfect invitation to the Italian wine experience.

A companion volume to Vino Italiano provides a convenient, consumer's guide to Italian wine, listing high-quality Italian wines that are available in the United States along with information about the wine maker, ratings of the wineries, descriptions of the wine, and other valuable consumer data. Original. 25,000 first printing.

50 PAYS VITICOLES En route pour un tour du monde à travers les Ancien et Nouveau Mondes viticoles : une cinquantaine de pays qui font le vin d'hier, d'aujourd'hui et de demain. Pour chaque pays, sont détaillées chaque zone vitiole: leur histoire, leurs terroirs et leurs climats, leurs encépagements, leurs types de vins, leurs systèmes d'appellations. 90 CARTES ORIGINALES ET EXHAUSTIVES Une immersion complète dans les vignobles du monde entier : France, Italie, Espagne, Portugal, Allemagne, Etats-Unis, Australie, Argentine, Afrique du Sud... Avec pour chaque pays, une cartographie très détaillée,qui prend en compte les derniers développements viticoles. DES DOMAINES DE RÉFÉRENCE De la vigne au verre: en fin d'ouvrage, sont proposés les producteurs incontournables de chaque pays pour que le plaisir soit compet.

Gunn sets out his aim in this book to foster a fresh understanding of the narrative about David in 2 Samuel and 1 Kings, commonly known as the 'Succession Narrative,' by arguing for its fuller appreciation of its nature as a story. Gunn reviews the different hypotheses on the genre of the so-called Court History/Succession Narrative and concludes that the purpose of this story is to entertain. The work is to be considered primarily artistic and literary, and the rhetorical devices in the story are reliant on traditional motifs and devices.