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From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being. Morash picks out specific events for detailed analysis, such as the first radio broadcast, during the 1916 Rising, or the Live Aid concert in 1985. This book breaks ground within Irish studies. Its accessible narrative explains how Ireland developed into the modern, globally interconnected, economy of today. This is an essential and hugely informative read for anyone interested in Irish cultural history.

WINNER, Lawrence J. McCaffrey Prize for Books on Irish-America, given by The American Conference for Irish Studies Follows a group of people exiled from Ireland after a failed rebellion and the role they had in the building of new nations and states This book is about the Young Irelanders, a group of Irish nationalists in the mid-nineteenth century, who were responsible for a failed rebellion in Ireland during the Great Famine, who once exiled from Ireland, came to play formative roles in the fledgling democracies of Australia, Canada, and the United States. Christopher Morash illustrates how the Young Ireland generation developed particular philosophies of nationalism, democracy, citizenship, and minority rights in Ireland, which became an integral part of how they engaged with their adopted nations, where they came to occupy significant political and cultural roles. Christopher Morash explores the stories and political trajectories of an acting-Governor of the Territory of Montana and Union Army General, a Confederate newspaper owner, a Premier of Victoria, and many other important figures. Despite their divergent trajectories, these individuals applied many of the same ideas that they had developed during their original Irish political project to their respective nations and movements. Young Ireland is a vital new perspective in the field of Irish diaspora studies, highlighting the impact the Young Ireland generation had on emerging democracies and international debates, both in spite of and because of their defeat and dispersion.

W. B. Yeats is recognised globally as one of the most significant poets of the past century. And yet, in his Nobel address, he singled out his work in the theatre as his main accomplishment. Yeats on Theatre restores Yeats not only a playwright, but as a writer and thinker who, over forty years, produced a body of theory covering all aspects of theatre, including the possibilities of performance space, the role of the audience and the nature of tragedy. When read as whole, in conjunction with his plays, letters, and extensive manuscript materials, Yeats's theatre writings emerge as a radical, cohesive, theatrical aesthetic, at odds with – and in advance of – the theatre of his time. Ultimately, the Yeats who takes shape in Yeats on Theatre is an artist who thinks through theatre, providing us with an urgently needed reassertion of the value of theatre as embodied thought.

The words of its writers are part of the texture of Dublin, an invisible counterpart to the bricks and pavement we see around us. Beyond the ever-present footsteps of James Joyce's characters, Leopold Bloom or Stephen Dedalus, around the city centre, an ordinary-looking residential street overlooking Dublin Bay, for instance, presents the house where Nobel Laureate Seamus Heaney lived for many years; a few blocks away is the house where another Nobel Laureate, W. B. Yeats, was born. Just down the coast is the pier linked to yet another, Samuel Beckett, from which we can see the Martello Tower that is the setting for the opening chapter of Ulysses. But these are only a few. Step-by-step, Dublin: A Writer's City unfolds a book-lover's map of this unique city, inviting us to experience what it means to live in a great city of literature. The book is heavily illustrated, and features custom maps.

Morash and Richards present an original approach to understanding how theatre has produced distinctively Irish senses of space and place.

This work examines literary texts by writers such as William Carleton, Anthony Trollope and James Clarence Mangan and shows how they interact with histories, sermons and economic treatises to construct a narrative of the Irish famine, when more than one million Irish people died.