Esley Hunt and Joshua P. Andrews in Raleigh, North Carolina: Among the South's Best Civil War Portraitists
This booklet combines two biographical sketches introducing two extraordinary Civil War portraitists. Esley Hunt of Tennessee and Joshua P. Andrews of Massachusetts converged in Raleigh, North Carolina, to work in the same portrait studio in the late 1850’s. Esley, a photographer, was also a highly skilled colorist. Joshua, a painter, was also a highly skilled photographer. Both men established their reputations by individually winning multiple top awards at several North Carolina State Fairs. As the Civil War began in 1861, they were professionally prepared, and ideally located in a state capital, to produce many of the South’s best-quality Civil War portraits. Following the War, Esley sold the studio and, with his wife, soon returned to the mountains from whence he came, apparently having no interest in Raleigh’s post-war politics. Joshua, however, surprisingly began a political career in Raleigh during the Reconstruction. He became the Secretary Pro Tem of North Carolina’s 1868 Constitutional Convention, where he successfully co-sponsored a provision to allow the state’s African-American citizens to hold public office. In 1869, he served as Grand General of North Carolina's large Heroes of America “Red Strings” organization that was Pro-Union and Anti-Slavery. (State Governor W. W. Holden served as Grand Chancellor.) After Reconstruction, Joshua became a founding member of New York City’s Salmagundi Art Club, which remains influential today. Esley Hunt’s biographical sketch, first released in my 2018 book regarding his Lutterloh relatives-in-law, was the first published effort to chronicle his personal life. This 2025 edition now adds the first published biographical sketch of his artistic partner, Joshua P. Andrews. The Civil War portraits produced by these two men, working together, remain highly valued by collectors and museums, and are invaluable to historians, genealogists, and descendants.