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My name is Chloe Isabelle Morris. I am 9 years old. I have a Calico Siamese cat named Athena. I live with my cat, and my dad, Robert. The inspiration for this book was that my mommy died, on September 27, 2016. You might know her, Julia Kalontarova, an animation artist. She worked on the movie, Frozen, and developed ideas for Elsa's cape and her ice palace. She also worked on the Wild Thornberries, which became my dad's and my favorite show. She taught me lots of things, like drawing mostly. At the age of 2, I discovered art. In my book, I made drawings and wrote my feelings about her. The poem with the flower, I wrote at an early age. The book is mainly about my friendship with my mother, and I tried to put all of my feelings about my mom's death in the art and the poetry. When I was creating it I was writing the poetry at different times. The picture on the front cover that I drew, was a present for my mother, because she had to leave my home for a long time. She drew a picture of me sleeping and placed it under my pillow. It made me cry. This is a book of poetry written by a seven year old girl about the passing of her mother in 2016.

Chloe Morris is from Montreal, Quebec. She is interested in writing teen fiction and is also experimenting with mysteries. Some of her inspiration comes from her favourite authors, such as Veronica Roth, Cassandra Clare, John Green, and much more! She plays soccer, tennis, and football, is learning to play the clarinet, and reads a lot of books.

A children's story written by a gifted young author about a girl's initial experiences and adventure at her new high school. A fun and exciting journey.

"In Greek myth, mortal women are largely excluded from the narrative. When they are included, they are royal women, rarely speak, and the only agency they possess is death, with the exception of the Odyssey's Penelope. These first 136 pages of an in-progress novel, set in the mythological world of pre-archaic ancient Greece, follow the life of Eumelia, a slave girl who has always been drawn to music. Her curiosity and pursuit of such leads to the discovery that she is in fact musically gifted. As she faces the day-to-day realities of her gender and societal standing, her encounters with various nobility and the gods set her on a journey to various lands. From her home of Patrae to Thebes and Corinth, she takes risks to procure instruments, play them during nightly ventures, and find joy in the music amid the struggles. However, soon lyrics and melodies she did not write bubble to the surface and haunt her. These words bring the revelation that Athena and Apollo have favored Eumelia, and in conjunction with music, Eumelia has the gifts of wisdom and prophecy. Now she must figure out what this means for her and her life. These chapters thread a new, original storyline with several classic myths-- Eumelia encounters key figures in Greek tradition as she searches for her purpose, and all she is and could be"--Provided by author.

I know that look. I've seen it a million times before. Sympathy. Pity. Sadness. Mum's crying. She's angled her face away from me to try to conceal it. But I'm not daft- I know when she's crying. She's been doing it a lot lately.Charlie knows something is wrong. But what if something is so badly broken that it cannot be fixed?

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This thesis was funded as part of the Chronic Health Effects of Smoke and SO2 in the UK (CHESS-UK) project and was aimed at deriving modelled concentration surfaces of historic black smoke and sulphur dioxide in Great Britain for 1955 onwards as a basis for exposure assessment in epidemiological investigations of chronic health effects. The UK's National Smoke and Sulphur Dioxide Survey provides monitored concentration data from 1955 - 2005 with over 3,000 sites in existence over time. These measured concentrations of black smoke and sulphur dioxide served as a core set of data for the modelling of exposures at 1km scale. Additional data sourced and developed for input into modelling included modelled emission maps (generated with AEA Technology), emission proxies (including land cover and road networks), information on environmental factors (topography and meteorology), population distribution and some ancillary data (e.g. smoke control areas and the Douglas Waller Index based on domestic coal sales). An important product of this work are the data, aimed at modelling historical exposures to air pollution, fully geo-referenced and integrated into a geographic information system. This GIS was used as a platform to test and compare different appropriate methodologies for modelling and mapping air pollution concentrations. Methods evaluated include: ordinary kriging, emission based modelling (dispersion and focalsum); and land use regression models developed using emission proxies. Focus was placed on modelling one target year for each decade (1962, 1971, 1981 and 1991). Modelling methods were piloted for 1971, where ordinary kriging and land use regression outperformed other methods. These were developed further across the full study period with 90% data for model development and 10% reserved for evaluation. The LUR models were ultimately selected as the best consistent approach over the long time period, with model R2s ranging from 0.7 in early years to 0.3 in later years.