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What does ′Good progress′ in primary schools look like? How do new teachers ensure they are planning for it? How can they evidence it? This text is a focused exploration of, and guide to, the concept of ′progress′ for trainee primary school teachers and their mentors. It examines what we mean by ′good progress′ in the context of the CCF and other frameworks and accountabilities operating in primary schools today. It outlines different understandings of progress, explores the relationship with other concepts such as knowledge, curriculum and assessment, and highlights the links between progress and social justice. Offers practical support for trainees on how to plan for, identify, promote, evidence and communicate information about progress.

Succession, Wills and Probate is an ideal textbook for those taking an undergraduate course in this surprisingly vibrant subject, and also provides a clear and comprehensive introduction for professionals. Against an account of the main social and political themes of succession law, the book gives detailed explanations of core topics such as alternatives to wills and the making, altering and revocation of wills. It also explains personal representatives and how they should deal with a deceased person's estate and interpret and implement the will. Gifts may fail, estates may be insolvent or a person may die intestate, without a will at all. Increasingly relatives and others seek to challenge the will, for example on the grounds of the testator's capacity or under the law of family provision. This third edition is edited, updated and revised to take account of new legislation and case law across all the relevant issues, including a new final chapter dealing with the potentially contentious issues that are becoming more central to professional work in the field of succession.

Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. Sunday Times Classical Music Book of the Year Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.

A daring woman meets her match in the first book of the Regency romance series featuring the charming and seductive Ashford brothers. India, 1820 Georgiana Phillips always conducted herself according to the rules of polite society. So catching Simon Ashford in a compromising position should have been shocking. Instead it was . . . arousing. And kissing him herself was absolutely delicious—until it led to her ruination. That perfect, scandalous kiss has haunted Simon for six years. He doesn’t regret it, though he’s tried desperately to restore Georgie’s reputation. When he’s ordered to look after her in the wilds of India, it’s an opportunity to finish what he started. But he’s no match for Georgie’s adventurous spirit—she seems set on getting herself killed, diving in after hungry crocodiles and braving monsoons to hunt for lost treasure. Georgie wouldn’t trade her exciting new life for anything in the world, including marriage. And yet Simon seems determined to rein her in, rewarding her brief moments of propriety with kisses far more exotic than any tribal ceremony or archaeological expedition. How can he convince her that she’s so much more than a beautiful obligation? “I’d heard this book compared to the movie Romancing the Stone and I can definitely see the action-romance parallel . . . gives readers a bit of an adventure and more depth of characterization than one often finds in a fast-paced, high action novel.” —All About Romance

This volume of papers is dedicated to Peter Woodman in celebration of his contribution to archaeology, providing a glimpse of the many ways in which he has touched the lives of so many. The twenty-one contributions cover many aspects of predominantly Mesolithic archaeology in Ireland, mainland Britain and North-west Europe, reflecting the range and breadth of Peters own interests and the international esteem in which his work is held. His particular interest in antiquarians and the material they collected began early in his career and Part 1 presents papers which deal with artefacts and finds by antiquarians. Part 2 is concerned with papers on fieldwork projects, both new sites and sites which have been re-investigated, predominantly focusing on the Mesolithic period. Part 3 presents papers on the theme of people and animals, particularly the topic of the Mesolithic-Neolithic transition from different angles.

Based on the first-hand accounts of children and their mothers regarding their experiences of both domestic violence and support services, this is the first book to examine children's experiences of a range of service provision in response to domestic violence.

A practical introduction to every aspect of handling and firing this unique clay. Discusses preparation, storage, and reclamation, and techniques for handbuilding and modeling, molding, and decoration. Other topics covered include kiln packing and firing, and the coloring, mixing, and application of glazes, lusters, and enamels. Illustrated with color and bandw photos. Annotation copyright by Book News, Inc., Portland, OR

In the period between 1200 and 1500 in western Europe, a number of religious women gained widespread veneration and even canonization as saints for their extraordinary devotion to the Christian eucharist, supernatural multiplications of food and drink, and miracles of bodily manipulation, including stigmata and inedia (living without eating). The occurrence of such phenomena sheds much light on the nature of medieval society and medieval religion. It also forms a chapter in the history of women. Previous scholars have occasionally noted the various phenomena in isolation from each other and have sometimes applied modern medical or psychological theories to them. Using materials based on saints' lives and the religious and mystical writings of medieval women and men, Caroline Walker Bynum uncovers the pattern lying behind these aspects of women's religiosity and behind the fascination men and women felt for such miracles and devotional practices. She argues that food lies at the heart of much of women's piety. Women renounced ordinary food through fasting in order to prepare for receiving extraordinary food in the eucharist. They also offered themselves as food in miracles of feeding and bodily manipulation. Providing both functionalist and phenomenological explanations, Bynum explores the ways in which food practices enabled women to exert control within the family and to define their religious vocations. She also describes what women meant by seeing their own bodies and God's body as food and what men meant when they too associated women with food and flesh. The author's interpretation of women's piety offers a new view of the nature of medieval asceticism and, drawing upon both anthropology and feminist theory, she illuminates the distinctive features of women's use of symbols. Rejecting presentist interpretations of women as exploited or masochistic, she shows the power and creativity of women's writing and women's lives.