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In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible--and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).

"Leaving the M/other develops a striking parallel between Whitman's poetry and Kristeva's theory with close readings of poems published from 1855 to 1881. At the root of the analysis is the metaphor of the ocean."--BOOK JACKET.