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"A sensitive, intelligent book." —Sander L. Gilman, Professor of Humane Studies, Cornell University How is AIDS treated in the contemporary plays of Larry Kramer and William Hoffman? How important is the Black Death to a reader of Boccaccio's Decameron? How have the historical and current outbreaks of contagious disease affected the creation of literature, and how has this literature in turn shaped our response to disease? Original and moving, To Blight with Plague addresses these and other central questions raised by literary works whose main themes revolve around contagious, epidemic disease and its social and psychological consequences.

A study of the role of family, ancient Greek narratives, and the psychological theories of Freud and Jung in the mystery novels of Ruth Rendell. Aside from Ruth Rendell’s brilliance as a fiction writer, and her appeal to mystery lovers, her books portray a compelling, universal experience that her readers can immediately relate to, the intra-familial stresses generated by the nuclear family. Even those who experience the joys as well as pains of family life will find in Rendell the conflicts that beset all who must navigate their way through the conflicts that beset members of the closest families. Barbara Fass Leavy analyzes the multi-leveled treatment of these themes that contributes to Rendell’s standing as a major contemporary novelist. Rendell, who also writes as Barbara Vine, draws on ancient Greek narratives, and on the psychological theories Sigmund Freud and Carl Jung derived from them, to portray the disturbed family relationships found throughout her work. Leavy’s analysis considers what distinguishes mysteries as popular entertainment from crime fiction as literary art. The potential for rereading even when the reader remembers “whodunit” will be the basis for this distinction. Leavy also looks closely at the Oedipus and Electra complexes and how they illuminate Rendell’s portrayals of the different pairings within the nuclear family (for example, mother and daughter) and considers the importance of gender differences. In addition, Leavy corrects a widespread error, that Freud formulated the Electra complex, when in fact the formulation was Jung’s as he challenged Freud’s emphasis on the Oedipus story as the essential paradigm for human psychological development.

Challenges the conventional interpretations of the worldwide folktale in which a swan maiden is captured, forced to marry and serve a human man, and eventually finds the key (usually her old skin) and escapes. Leavy (English, City U. of New York) considers the motive in the context of other animal brides, and animal grooms, and finds women socializing other women in a man's world, how myths of feminine evil spread, and how ominous meanings are obscured by traditional happy endings. Annotation copyright by Book News, Inc., Portland, OR

"A sensitive, intelligent book." —Sander L. Gilman, Professor of Humane Studies, Cornell University How is AIDS treated in the contemporary plays of Larry Kramer and William Hoffman? How important is the Black Death to a reader of Boccaccio's Decameron? How have the historical and current outbreaks of contagious disease affected the creation of literature, and how has this literature in turn shaped our response to disease? Original and moving, To Blight with Plague addresses these and other central questions raised by literary works whose main themes revolve around contagious, epidemic disease and its social and psychological consequences.

A study of the role of family, ancient Greek narratives, and the psychological theories of Freud and Jung in the mystery novels of Ruth Rendell. Aside from Ruth Rendell’s brilliance as a fiction writer, and her appeal to mystery lovers, her books portray a compelling, universal experience that her readers can immediately relate to, the intra-familial stresses generated by the nuclear family. Even those who experience the joys as well as pains of family life will find in Rendell the conflicts that beset all who must navigate their way through the conflicts that beset members of the closest families. Barbara Fass Leavy analyzes the multi-leveled treatment of these themes that contributes to Rendell’s standing as a major contemporary novelist. Rendell, who also writes as Barbara Vine, draws on ancient Greek narratives, and on the psychological theories Sigmund Freud and Carl Jung derived from them, to portray the disturbed family relationships found throughout her work. Leavy’s analysis considers what distinguishes mysteries as popular entertainment from crime fiction as literary art. The potential for rereading even when the reader remembers “whodunit” will be the basis for this distinction. Leavy also looks closely at the Oedipus and Electra complexes and how they illuminate Rendell’s portrayals of the different pairings within the nuclear family (for example, mother and daughter) and considers the importance of gender differences. In addition, Leavy corrects a widespread error, that Freud formulated the Electra complex, when in fact the formulation was Jung’s as he challenged Freud’s emphasis on the Oedipus story as the essential paradigm for human psychological development.

In her compendious study, [of the folktale of the runaway wife] Leavy argues that the contradictory claims of nature and culture are embodied in the legendary figure of the swan maiden, a woman torn between the human and bestial worlds. --The New York Times Book Review This is a study of the meaning of gender as framed by the swan maiden tale, a story found in the folklore of virtually every culture. The swan maiden is a supernatural woman forced to marry, keep house, and bear children for a mortal man who holds the key to her imprisonment. When she manages to regain this key, she escapes to the otherworld, never to return. These tales have most often been interpreted as depicting exogamous marriages, describing the girl from another tribe trapped in a world where she will always be the outsider. Barbara Fass Leavy believes that, in the societies in which the tale and its variants endured, woman was the other--the outsider trapped in a society that could never be her own. Leavy shows how the tale, though rarely explicitly recognized, is frequently replayed in modern literature. Beautifully written, this book reveals the myriad ways in which the folktales of a society reflect its cultural values, and particularly how folktales are allegories of gender relations. It will interest anyone involved in literary, gender, and cultural studies.

This is the first full-length study to focus specifically on representations of motherhood in fiction by such Victorian writers as Elizabeth Gaskell, Margaret Oliphant, Caroline Norton, and Ellen Price Wood. These authors presented an idealized view of motherhood as part of a campaign to gain social and legal status for mothering in a society in which married women were not legal entities and children born in wedlock were the inalienable property of their fathers. These writers used dead mother plots which reversed New Testament parables so that the mother plays the leading role, and maternal circle plots, which portray adult daughters and their mothers raising children outside marriage. This fiction, which showed how children benefit from good mothering, was instrumental in married mothers eventually obtaining equal parental rights.