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Setting the standard for modern cob construction – from design, engineering, and building code compliance, to sculpting beautiful structures Cob – a mix of clay, sand, and straw – is one of the most popular and well-known natural building methods. Yet cob is often difficult to permit and can be used in inappropriate ways due to a lack of sound engineering and design information. Recent research and a newly developed building code promise to make cob building more accessible than ever. Essential Cob Construction sets the new standard for cob construction. Incorporating rigorous, up-to-date engineering and building science and decades of practical lessons learned, coverage includes: Appropriate use of cob in different climates and contexts Thermal performance and moisture management Structural and architectural design considerations, including fire and earthquake resistance data from extensive laboratory testing Hands-on cob construction, including mix design, testing, manual and mechanical mixing, wall building, strong connections with foundations, roofs, and other structural elements, and finishing options Building code development and the permitting process for cob Planning, budgeting, and quality control The complete Cob Construction Appendix of the International Residential Code. Essential Cob Construction is required reading for engineers, architects, designers, contractors, and owner-builders working with this ancient, aesthetically pleasing, low-carbon building material.

Join Anthony Riccio and Chef Silvio Suppa for a guided tour of the rich culinary history of southern Italy. Known to the Romans as Campania felix, or "fertile countryside," Chef Silvio's home region of Campania is blessed with rich volcanic soil and warm sea breezes, which has resulted in an exuberant and varied cuisine that draws not only on the region's abundant fresh vegetables and herbs but also centuries of Roman, Arab, Spanish, and French influence. From traditional favorites like eggplant parmiggiana and pasta e fasul to family recipes like Aunt Irma's stuffed peppers and Maria Suppa's zabaglione, Cooking with Chef Silvio offers hearty and heartwarming fare as well as the stories behind the food, a cultural and social history of a region as told through its cuisine.

Michelangelo Tangelo - Releasing The Past is the story of Grumpy Grapefruit. Grumpy is bitter because he endured ridicule and scorn as a young grapefruit and his sour attitude is ruining all of his relationships! Michelangelo desires to help his friend however before that can happen, Grumpy must make the difficult journey back in his past for closure to the causes of his bitterness.

Dante in Love is a modern re-telling of the immortal love story of Dante and Beatrice. The power and beauty of their original story of unrequited love shines through with new insights and accessible prose. A Love Story for the Ages."The mixing of the two voices, the translator and the explicator, works wonderfully. A winner, very good stuff, really." Giuseppe Mazzotta, Sterling Professor in the Humanities for Italian, Yale University."I just kept on reading it right through even though I had read the original many times. Anthony Valerio's version really makes it new.--Rebecca West, William R. Kenan, Jr. Distinguished Service Professor Emerita, University of Chicago.

Dante's Fearful Art of Justice deals primarily with the symbolic significance of 'the state of souls after death' in various episodes of the Inferno, the first canticle of Dante's Divina Commedia. The fruitlessness of the Auerbach-Singleton approach to the poem is demonstrated by Professor Cassell's investigations, which are based on the belief that Dante used both the theological system of fourfold allegory and the preconfiguration-fulfilment pattern of history found in the Old and New Testaments. The author first deals with the history of contrapassum, 'just retribution, ' as it appeared in philosophy and theology, and describes Dante's use of historical and artistic figuration, both classical and Christian. It is central to Cassell's aim to show how Dante believed that his portrayal of the damned revealed the justice of God. Critics have believed that the relation of sin to the suffering of the shades in Hell was tenuous or even arbitrary in many cases. Cassell shows, through a close examination of Dante's assimilation of the Classics (and their medieval interpretations), or patristics, and of traditional iconography, that there is an intimate metaphorical and artistic aptness in the poet's representation. Cassell relies at some points on art history, and thirty-four illustrations of frescoes, statuary, and illuminations from paleo-Christian times to the fourteenth century are therefore included. This volume will be of particular interest to medieval specialists, historians of the Renaissance and Reformation periods, and those concerned with European literature.