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A truly original story of life in and after care. A unique account of trans-racial fostering which focuses on identity, family history and loss. Call Me Auntie adds to the literature of post-Windrush 1950s Britain and tells of ‘Heartbreak House’ care homes. The author’s account of being abandoned by her mother as a young child and her life in homes and institutions will captivate any reader. The mystery of her search for her mother and constant rejections will leave the reader wondering what demons drove her to be so elusive. “Call Me Auntie” was the best her mother could offer but this was just the start of a bizarre sequence of events. After discovering she had a brother and looking for her long lost family in Barbados the author finally came to understand she “may be a princess after all”. Call Me Auntie is a story of survival, resilience and changing attitudes to racism and ethnicity as the author forged a successful career beginning as a Woolworth’s shop girl before joining the police, then moving into social work. Reviews ‘Anne’s story is a compelling account, not just of her search for her birth mother but of her extraordinary journey from being a child in care, then qualifying as a social worker and finally becoming a magistrate?…?I read it at a sitting and could not put it down. Her account of life in a children’s home in the 1960s and 1970s deserves to find a place on every social work training course’— Retired Judge Robert Zara. ‘This is an excellent read for anyone who has compassion. The author had a really tough childhood brought up by the care system. She raises really important questions. A must-read for anyone who wants to make a difference for children and their lives. Make it compulsory for all social work students’— John Bolton, Visiting Professor, Institute of Public Care, Oxford Brookes University, and a former Director of Social Services. Extract ‘Our new house-parents were Harold and Dora … He was a big guy who always looked angry. She was a little mousy figure but with a steel will underneath … Overnight, the household regime changed. As controlled as our lives might have been in the [previous houseparents’] time, the changes were shocking. Chores had to be performed to much higher standards, and there were new ones … There were new rules, routines, and responsibilities. But this was not all. With the new chores and new rules, our fear set in.'

Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute

Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine“ An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Linesis a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute

Volume I of Playing Outside the Lines is the first of a comprehensive four-part method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Volume I provides foundations for playing within the framework of Irish traditional music and the basis for the remaining three volumes of the series. This four-part series is the first of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra, calls Playing Outside the Lines "an invaluable resource for any flutist." Renowned performer and author Robert Dick says, "Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy." Includes access to online audio.

Benjamin Harrison was an honest, intelligent, hardworking lawyer from Indiana who became the twenty-third President of the United States. During his term in office, he signed important legislation and provided leadership in negotiating foreign policy, striving to advance the United States toward becoming a world power. The book presents an up-to-date and cogent biography of this president who is now considered one of the better presidents of the late nineteenth century.

Lady Fanshawe's memoirs provide a fascinating look at the life of a prominent family in 17th century England. Her detailed accounts of the Civil War, the Restoration, and her own family's experiences shed light on the politics and society of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.