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Over the past ten years or so there has been an unprecedented amount of change in the world of British local government: for instance the growth of compulsory competitive tendering; the opportunity for schools to opt out of local authority control; the new responsibilities for community care; and the introduction of the community charge (or poll tax) and its subsequent replacement with council tax. And now local government is in the throes of a major and controversial reorganization. There have been several books which have described such changes but this one represents the first systematic attempt to draw out the overall implications of these changes for the future role of local government as an institution. It argues that there are major strategic choices of direction facing local authorities, and that these choices will shape management structures and many other aspects of local choice. The book provides a clear framework of analysis to enable readers to understand the forces at work in this particularly turbulent and unstable period of local government's history, and to see where they are leading.

Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.

One sunny afternoon in 1982, a young businessman experienced a terrifying mugging in New York City that shook him to his core. Tortured by nightmares about the teens who roughed him up, Steve Mariotti sought counseling. When his therapist suggested that he face his fears, Mariotti closed his small import-export business and became a teacher at the city's most notorious public school--Boys and Girls High in Bed-Stuy. Although his nightmares promptly ceased, Mariotti's out-of-control students rapidly drove him to despair. One day, Mariotti stepped out of the classroom so his students wouldn't see him cry. In a desperate move to save his job, he took off his watch and marched back in with an impromptu sales pitch for it. To his astonishment, his students were riveted. He was able to successfully lead a math lesson for the first time. Mariotti realized his students felt trapped in soul-crushing poverty. They saw zero connection between school and improving their lives. Whenever Mariotti connected their lessons to entrepreneurship, though, even his most disruptive students got excited about learning. School administrators disapproved of Mariotti discussing money in the classroom, however. He was repeatedly fired before receiving one last-ditch assignment: an offsite program for special-ed students expelled from the public schools for violent crimes. The success Mariotti had with these forgotten children—including coverage in the Daily News, The New York Times, and World News Tonight—inspired him to found the nonprofit Network for Teaching Entrepreneurship to bring entrepreneurship education to low-income youth. By turns tragic and hilarious, Goodbye Homeboy shares Mariotti's flaws and missteps as he connects deeply with his troubled students, and woos the most influential people in the world into helping them—saving himself in the process. Today, Mariotti is widely recognized as the world's leading advocate for entrepreneurship education. More than one million young people from Chicago to China have graduated from NFTE programs, and NFTE counts Sean Combs, Chelsea Clinton, Diana Davis Spencer, and many more business, entertainment, and community leaders among its staunchest supporters. As Goodbye Homeboy powerfully illustrates, a spark of hope really can empower us to overcome life's greatest hardships.

" Manages to deliver on the promise of its title...Best of 2000 AD shows off the iconic title in its best light." - Wired Best of 2000 AD is a landmark series from the cult comic, bursting with our greatest stories for a new generation of readers. Every Best of 2000 AD contains a mix of modern classics and gems from the vault. In each edition you'll find an explosive new Judge Dredd adventure, fresh essays by prominent popular culture writers, a graphic novel-length feature presentation by global legends and a vintage Dredd case. In this volume: When Judge Dredd investigates a potential whistleblower, it’s hard to avoid paranoia when information is this Mega-City Confidential; from medieval Prague to the streets of Elizabethan London, Kek-W and John Burns sound the call to battle extra-dimensional Wurms and join The Order; a rolling stone gathers no mousse as Pete Milligan and Jamie Hewlett tangle you in Hewligan’s Haircut, a shear reality-warping victory roll that’s just the tonic; quake to the Cry of the Werewolf with an all-time Dredd classic by Alan Grant and Steve Dillon. Boasting brand new covers from an all-star line-up of artists including Marguerite Sauvage (Archie) and Glyn Dillon (The Batman) with designer Tom Muller (X-Men), Best of 2000 AD is the essential gateway into the Galaxy’s Greatest Comic.

Three gripping true crime classics in one volume, from the New York Times–bestselling author. From the acclaimed journalist and author, three chilling tales of depravity, death, and detective work including: NO ANGELS Late one night in 1997, fourteen-year-old Brandy DuVall waited at a bus stop in the Denver area when, for reasons that are still a mystery, she got into a car with several young men. The consequence was an unimaginable nightmare of torture, rape, and murder at the hands of a vicious Denver street gang. The crime, investigation, and subsequent court cases—including four murder trials and two death penalty hearings—tore apart families, and affected all who were caught up in the brutal crime and its aftermath. SMOOTH TALKER As seen on Investigation Discovery’s Epic Mysteries series Anita Andrews was found in her own bar, stabbed to death in a bloody frenzy. She'd last been seen alive talking to a customer, a drifter playing cards and flirting with her. A month later, Michele Wallace was driving near Crested Butte, Colorado, when she gave two stranded motorists a ride. She was never seen alive again. Fourteen years later, Charlotte Sauerwin, engaged to be married, met a smooth-talking man at a Laundromat in Livingston Parish, Louisiana. The next evening, her body was found in the woods. The three murders would remain unsolved until a rookie Gunnison County sheriff’s investigator named Kathy Young began investigating . . . ROUGH TRADE On a morning in May 1997, a couple on their way to work spotted a man dragging a woman’s body up a trail. The subsequent investigation into the death of young streetwalker Anita Paley would lead from that idyllic spot to the seamy underbelly of Denver and a world of prostitution, drug dealers, and violent criminals. This is the story of two people from that world whose paths crossed first on the streets and then at a murder trial: Robert Riggan, a violent sexual predator, and Joanne Cordova, a former cop-turned-prostitute, who risked her life to testify.

A detailed history of one week during the Civil War in which the American president assumed control of the nation’s military. One rainy evening in May, 1862, President Abraham Lincoln boarded the revenue cutter Miami and sailed to Fort Monroe in Hampton Roads, Virginia. There, for the first and only time in our country’s history, a sitting president assumed direct control of armed forces to launch a military campaign. In Lincoln Takes Command, author Steve Norderdetails this exciting, little-known week in Civil War history. Lincoln recognized the strategic possibilities offered by Maj. Gen. George B. McClellan’s ongoing Peninsula Campaign and the importance of seizing Norfolk, Portsmouth, and the Gosport Navy Yard. For five days, the president spent time on sea and land, studied maps, spoke with military leaders, suggested actions, and issued direct orders to subordinate commanders. He helped set in motion many events, including the naval bombardment of a Confederate fort, the sailing of Union ships up the James River toward the enemy capital, an amphibious landing of Union soldiers followed by an overland march that expedited the capture of Norfolk, Portsmouth, and the navy yard, and the destruction of the Rebel ironclad CSS Virginia. The president returned to Washington in triumph, with some urging him to assume direct command of the nation’s field armies. The week discussed in Lincoln Takes Command has never been as heavily researched or told in such fine detail. The successes that crowned Lincoln’s short time in Hampton Roads offered him a better understanding of, and more confidence in, his ability to see what needed to be accomplished. This insight helped sustain him through the rest of the war.

A Catholic journal of poetry with a nondenominational group of authors. "A record and reference of literature and Catholic literature at a specific point in time."

During the final months of his life, Walt Disney was consumed with the world-wide problems of cities. His development concept at the time of his death on December 15th, 1966 would be his team’s conceptual response to the ills of the inner cities and the sprawl of the megalopolis: the “Experimental Prototype Community of Tomorrow” or, as it became known, EPCOT. This beautifully written, instantly engrossing volume focuses on the original concept of EPCOT, which was conceived by Disney as an experimental community of about 20,000 people on the Disney World property in central Florida. With its radial plan, 50-acre town center enclosed by a dome, themed international shopping area, greenbelt, high-density apartments, satellite communities, monorail and underground roads, the original EPCOT plan is reminiscent of post-war Stockholm and the British New Towns, as well as today's transit-oriented development theory. Unfortunately, Disney himself did not live long enough to witness the realization of his “model city.” However, EPCOT's evolution into projects such as the EPCOT Center and the town of Celebration displays a remarkable commitment by the Disney organization to the original EPCOT philosophy, one which continues to have relevance in the fields of planning and development.