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Includes critical paper entitled: Do You Need a Y Chromosome to be a Hero?: An Analysis of Gender Roles and Their Relationship to the Hero's Journey.

The collection mainly relates to Stephanie Alexander's restaurant, Stephanie's, and her books. Includes correspondence, manuscripts, notebooks, faxes, clippings, magazines, video tapes, photographs, plaques, banners, menus, awards, and signs. The notebooks document influences on Australian cuisine. Also includes two photo collages: Class of 86, presented to Stephanie & Maurice Alexander by their staff on the occasion of the 10th Anniversary of Stephanie's Restaurant, and the restaurant's kitchen and an original painting by Rosanna Vecchio of cover art for the book 'Recipes my mother gave me', Stephanie Alexander presents 'Through my kitchen door, the first published cookbook of her mother, Mary Burchett' (the collages and painting are housed in MC 7 DR 2).

Lauren Walker has been keeping one hell of a secret - she is possessed by the Devil. She eventually succumbs to the pressure of living a lie & finds release in body dysmorphia & self-harm. When she finally braces herself to seek help, her mother tells her she has breast cancer. So begins the rollercoaster of caring & coping, surviving & dying.

Margaux was a powerful executive that had everything until Travis entered her life. Travis' intoxicating aura enveloped Margaux in a silken cocoon. Both Margaux and Travis exuded confidence from every pore, so the two had a definite impact on each other's lives. His swagger absolutely knocked her off her rocker and Margaux's sex appeal and relentless wit grabbed Travis by the horns and refused to let go. The plot is spine-chilling and has twists and turns than cannot be contained.