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Just Another Poster? investigates the critical role posters and other graphic materials played in the Chicano struggle for self-determination in California, from the borderland of San Diego to the urban metropolis of San Francisco. This volume of essays by an interdisciplinary group of scholars and curators represents the first comprehensive study of the ways the poster, as a medium of expression largely relegated to the margins of art world display, distribution, and critical reception, has been a primary form of cultural expression within Chicano communities in California and across America. Chon Noriega is associate professor of film and television at the Univerity of Califonria at Los Angeles. The other contributors include Jos Montoya, George Lipsitz, Tere Romo, Holly Barnet-Sanchez, Rafael Prez-Torres, and Carol A. Wells.

George I. Sánchez was a reformer, activist, and intellectual, and one of the most influential members of the "Mexican American Generation" (1930–1960). A professor of education at the University of Texas from the beginning of World War II until the early 1970s, Sánchez was an outspoken proponent of integration and assimilation. He spent his life combating racial prejudice while working with such organizations as the ACLU and LULAC in the fight to improve educational and political opportunities for Mexican Americans. Yet his fervor was not always appreciated by those for whom he advocated, and some of his more unpopular stands made him a polarizing figure within the Latino community. Carlos Blanton has published the first biography of this complex man of notable contradictions. The author honors Sánchez’s efforts, hitherto mostly unrecognized, in the struggle for equal opportunity, while not shying away from his subject’s personal faults and foibles. The result is a long-overdue portrait of a towering figure in mid-twentieth-century America and the all-important cause to which he dedicated his life: Mexican American integration.

Entertaining text and fascinating photos draw you into the world of the aquaculturists, scientists, and connoisseurs who shaped the oyster-farming industry.

Sergio Mishioki is a Peruvian anthropologist who has escaped with a national treasure and brought it to the United States. The treasure is Romeo y Julieta, a pair of adolescent mummies, and must be found as soon as possible. After the Peruvian consul in Miami hires PI Buck Jaspers to locate the mummies and return them to Peru, he sets out to find Mishioki and the treasure. Using all the operatives at his disposal, Buck narrows the hunt to the Orlando area and shares evidence with an ICE agent on the same trail. After Buck learns that Mishioki loves sports car racing, eating Peruvian food, and chasing young women, he stakes out restaurants and nightclubs, poses as a racecar driver, and investigates reclusive billionaires—the only ones who can afford to keep the mummies in good condition. In order to inspect the estates of possible suspects, Buck employs a swamp rat to take Buck and his crew through the wetlands on an airboat. But just as he gets closer to the mummies and Mishioki, Buck’s operatives reveal a disturbing reality of the person behind the theft. In this exciting mystery, the chase is on for PI Buck Jaspers after an anthropologist steals mummies from Peru and brings them to Florida.