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Robert Sowers begins this book by questioning our conception of the visual arts--painting, sculpture, and architecture--as autonomous, archetypal entities that can be defined independent of one another in terms of their materials and techniques. He cuts through the limits of categorization we have come to accept to lay the groundwork for a coherent theory of the relation between the visual arts. He proposes that we treat the pictorial, the sculptural, and the architectural not as palpable physical "things" but as activities--the basic forms of visual expression employed to create such distinct artifacts as paintings, statues, and buildings. By defining the expressive function of each art, Sowers helps us to understand what we mean when we speak of the sculptural qualities of architecture or the pictorial qualities of sculpture. The world of visual art then is a structured whole, a world in which the arts can meet, merge with, and mutually reinforce or swear at one another, often in unexpected yet compelling ways.

The aim of this book is to offer the reader a critical edition of the petitions in their original Italian language that (Catholic) Jews residing in Italy submitted to the Fascist General Administration for Demography and Race (Demorazza) in order either to be “discriminated,” i.e., not subjected to various provisions of Mussolini’s racial laws of 1938, or “Aryanized,” i.e., be considered not of “the Jewish race,” as defined by the convoluted and inconsistent Fascist anti-Semitic legislation. Anyone born of parents who both were of “the Jewish race,” even though professing a religion other than Judaism, was deemed to be Jewish. Consequently, the racial laws affected not only those Italians who considered themselves Jewish, whether secular or religious, but also a significant number of Catholics whose ancestors had been Jewish, as the majority of the cases contained in this volume show.

Robert Venturi gehort zu den Architekten, die die Debatte uber die Asthetik der Architektur durch Schriften und eigene Projekte wieder in Gang gebracht haben. Sein Buch ist ein Pladoyer zur Wiederaneignung des mannigfaltigen Reichtums der Baukunst, ein Damm gegen die Sintflut von Funktionalitat und Purismus."

The aim of the first volume is to offer the reader a critical edition of the petitions in their original Italian language that (Catholic) Jews residing in Italy submitted to the Fascist General Administration for Demography and Race (Demorazza) in order either to be "discriminated," i.e., not subjected to various provisions of Mussolini's racial laws of 1938, or "Aryanized," i.e., be considered not of "the Jewish race," as defined by the convoluted and inconsistent Fascist anti-Semitic legislation. Anyone born of parents who both were of "the Jewish race," even though professing a religion other than Judaism, was deemed to be Jewish. Consequently, the racial laws affected not only those Italians who considered themselves Jewish, whether secular or religious, but also a significant number of Catholics whose ancestors had been Jewish, as the majority of the cases contained in this volume show. The aim of the second part of the project on the impact of the racial laws under the Mussolini regime is to offer the reader a critical edition and an English translation of 139 letters that were exchanged between the victims of those laws (and their relatives and friends) and the Jesuit Pietro Tacchi Venturi (1861'1956) who interceded with the Fascist government in order to circumvent or alleviate various provisions of the 1938 anti-Jewish legislation.

Die Architektur wird mit den unterschiedlichsten Komplexitätsebenen der Gegenwart konfrontiert. Dass es oftmals eher um Entwürfe einer weiteren Ebene von Komplexität und damit immer auch um das Ersinnen eines weiteren Weltbildes, als um das präzise Kategorisieren oder Analysieren schon vorhandener geht, ist offensichtlich.